Finally got a few minutes to read your PDF - just a couple minor things -
Page 2, section #8 - Resilient Channel is NOT the same as "hat channel" - if you use this term when talking to a typical construction guy, you'll get solid steel hat channel which is NOT resilient.
If you're referring to Dietrich's "RC-2", this is a double-legged RESILIENT channel that, at first glance, LOOKS like hat channel but actually has a bunch of little slots cut into the two legs so it is RESILIENT. If this is what you mean, be SPECIFIC by manufacturer and part number and a PICTURE - otherwise, unless you're dealing with WSDG or RBDG for your studio build, (or Rod
:wink: ) you'll be SCREWED, and not in a GOOD way. For an example of the pain you could be in for, check out this
http://www.recording.org/ftopict-22469.html
I'm really NOT trying to be a raving lunatic on this, but this is a COMMON mistake because almost ZERO local contractors will know NOT to make this mistake unless you lead them by the nose to the EXACT materials you must use, and I felt it was time for a more current reminder of the pitfalls...
In that same paragraph you mention using BOTH RC and Green Glue - I hadn't had time to read all of Brian's excellent contributions/tests yet, so went looking. I think you'll be happier with your choice after looking at two similar tests, one with and one without RC - at the lowest tested frequency (80 hZ) they're virtually identical, but for the "mid-bass" region apparently the combination of BOTH RC and GG is notably better. Good plan.
Ceiling - your terms of vertical and horizontal need to be changed, perhaps to east-west or north-south, to avoid confusion.
That's all I saw that could be improved... Steve