Hi,
I'm moving to second phase of control room moving process. (Construction thread is here)
First of all my thank yous to Glenn and Stuart for their absolutely helping inputs since the first post.
Construction has not started yet. I need to finalize the design to be able to order materials and pinpoint where exterior meets interior.
Side wall sawtooth resonators: Should I alternate RW (40 kg/m³) and glass wool (22 kg/m³) [RW front, GW back] or go with one type only?
- I want to use the inset on front-left as a flush mic closet. Any downsides with it?
- I couldn't angle more and go deeper because of space considerations, therefore I think they're not going to be easily tuned. Besides, here's Bassman:
- Slats are 10cm below ceiling. I'm planning to install color changing led stripes between. Anyone tried a similar approach? How is the result? Is 10cm more than enough? Rear wall absorber: This vertical design is from Glenn's reply to a post which I can't recall now. It's also similar to Vakis' though John recommended 30cm depth at top. Mine is about 60cm. I'm concerned about the (small room) bass build up , so trying to spare as much space for superchunks. Is it practical? Right wall absorber: RW (RW+Glass wool)filled absorber, 10cm depth, 7.5cm spaced from wall. Right wall, rear corner absorber: RW (RW+Glass wool?) filled absorber, 18.5cm depth, flush mounted to wall, housing light switches. Left wall absorber: RW+GW filled, alternating depth (4 to 26cm), flush mounted. Front superchunks: Smaller panels in front of corner traps is for lighting. I'm looking for a similar result like this"Panic Room" idea. Front clouds: RW filled. Depth (19cm) is approximate. Rear clouds: Depth (10cm) and size are approximate. Will decide after room analysis. Floor:First choice is hardfloor, there's also wood textured vinyl floorings from Gerflor which can be seen here. We're considering vinyl since it's easier to clean. Any drawbacks vs laminated hardfloor? Monitor position: I'm almost at exact %38, but not troubled with being close to %50 anymore.One common misconception about slats is that the various spacing gives you discrete frequencies of absorption (spearate resonators). This is only true if the cavity behind EACH slat is sealed. If the space behind multiple slats is not partitioned off, the effect of various slat spacing is moving the center frequency of the whole slat panel, not the individual slats. Take the average slat spacing for the whole panel to calculate where the panel is tuned. Of course, wool inside and behind the slats widens the absorption bandwidth of the entire panel as well. The really GOOD thing about the various spacing is a better diffusion of upper frequencies as they bounce off the slats. Bottom line is that unless you are partitioning the resonator, don't bother with a calc as it would be an estimate of center frequency at best. Just vary the spacing in some fashion, perhaps even a decorative one, and you should be good. -ashley
The big problem is monitor's vertical position. The woofer is almost at exact %50 right now. (Desk's top is a little higher than the sketch). I know it's a bad bad thing and the only solution is moving monitors vertically (lower, in my situation). Actually, I was considering lowering the PMCs anyway to position acoustic center of monitors to ear height. It seems that a desk modification is inevitable. Panic Room photo is also a good example for Control 24 desks. Here's the .skp file (Sorry, I couldn't fill up all resonator, traps with RW to show in the sketch) Looking forward to hear about your ideas. Thank you.you might have to sit in that position in the room and make treatments on the side walls and ceiling to accommodate the listener. it's very close to 50% of the room length.