Acoustic hangers

Started by micmic on 28 April 2009. 213 replies, 2009–2021. In the Library under Acoustic treatment. Key posts in this thread.

Originally posted at johnlsayers.com, topic 12365.

Hi guys! I've been lurking around for some time now and acoustic hangers seems like a very interesting idea. I'm interested in treating the back wall of a cellar room - 4 meters wide, 5 meters in length and 2.1 meter in height - by using acoustic hangers. In your experience, if I make the depth of the back wall treatment 30 centimeters deep and use hangers with a width of 40 centimeters, and hang as many as possible without them touching each other - would the absorption reach down to the realms of 30-35 Hz? There is a resonance frequency around 34Hz - the lowest standing wave in the room - and it's quite prominent due to the stone walls and concrete floor and ceiling. Instead of trying to build some kind of resonator tuned to 34Hz - which can be a hit or miss - I figure it's better to build back wall treatment that absorbs as much low-end as possible. The rest of the room is treated with absorbers and bass traps - so it's mainly the back wall that's available for acoustic treatment. Should I maybe make the hangers 50 centimeters wide to "tune them" to a lower frequency? But then I can't angle them much. Or should I make them 25 centimeters wide and hang them in 90 degree angle to the back wall? Due to the layout of the room, I will be able to treat about three meters in width of the back wall. From floor to ceiling. Any information is highly appreciated! Cheers Fred
Hi Fred, and Welcome! :)
and acoustic hangers seems like a very interesting idea.
And they work! This comment comes from one of my customers who recently installed hangers in his new room: "Wow these hangers are amazing. I have never put a bass trap in and had such a noticeable change in the room."
I'm interested in treating the back wall of a cellar room - 4 meters wide, 5 meters in length and 2.1 meter in height - by using acoustic hangers.
It's a small room, and hangers work very well in small rooms, so they should work for you too.
In your experience, if I make the depth of the back wall treatment 30 centimeters deep and use hangers with a width of 40 centimeters,
I would try to go deeper than that. I normally plan to have about 50cm or 60cm of depth for hangers at the rear, where possible. If you can't afford that much space across the entire rear wall, then at least do it in the corners. And more is better: if you can do, for example, 80cm in the corners but then gradually reduce that to 40cm for the central part of the wall, that would be a good way of doing it. I usually put 5cm to 10cm if fiberglass insulation directly in the wall, then a small gap, then the hangers from there, as long as I can make them, and angled somewhere between maybe 15° to 35°, depending on the room.
and hang as many as possible without them touching each other -
I do that inside the speaker soffits, yes, but for the rear wall I follow John's method: Place one hanger on the mid-line of the room, not angled, (or two together angled in a "V" shape), then another one almost against the wall (one on the left wall, one on the right wall), angled, then halve the distance between those and place a hanger there (angled), then halve the distances again an place more hangers (angled), then halve again, etc. until I can't get any more in. That places hangers at the full wave nodes, half wave nodes, quarter wave nodes, 1/8th wave nodes, etc. for the room width. It seems to be very effective.
would the absorption reach down to the realms of 30-35 Hz?
It will do something down that low, yes, but it won't be massively effective. That's a very low frequency, and hard to damp, especially if you have a major modal problem there. Damping anything that low, with any type of treatment, isn't easy.
There is a resonance frequency around 34Hz - the lowest standing wave in the room - and it's quite prominent due to the stone walls and concrete floor and ceiling
If that's your lowest mode, then the floor and ceiling are not relevant! It's the 1,0,0 axial mode, and it does not really involve the floor or the ceiling: it only involves the front and back walls. Have you done a REW test, to determine the exact frequency, and see just how much of a problem it is?
Instead of trying to build some kind of resonator tuned to 34Hz - which can be a hit or miss - I figure it's better to build back wall treatment that absorbs as much low-end as possible.
Right! Exactly! A problem that low is going to need a very large tuned device (panel, membrane, etc.), which would take up most of the back wall anyway, yet it would treat just one single frequency. Not a smart way of dealing with it! Exactly as you said, hangers will deal with ALL modes at ALL frequencies, that involve the rear wall.
The rest of the room is treated with absorbers and bass traps - so it's mainly the back wall that's available for acoustic treatment.
How? Where? What type? How big? How thick? How effective are they? What were your decay times like before you put those in (measured at 1/3rd octave band centers), and what are they like now? The reason I ask all of that is because a common mistake is to over-treat the mid and high range, simply by having too much bare absorption aimed at the low end of the spectrum. You might need to do somthing to fix that if this is what has happened. If you have not already done so, then please do a full REW test and post the results.
Should I maybe make the hangers 50 centimeters wide to "tune them" to a lower frequency? But then I can't angle them much.
It's not just the width of the hangers that is important, but also the depth that they cover, plus other absorption in the same area. As I mentioned above, I put absorption against the rear wall, then the hangers, and sometimes I put more absorption in front of the hangers. For example, a 5cm or 10cm thickness right across the room, or partly across the room, just a bit in front of the hangers. That can extend the range quite usefully, and also improve the effectiveness. So, for example, I might have 5cm at the back a 2 cm gap, 40 cm of hangers (wider than 40cm, but angled), 2cm gap, then 10cm of absorption at the front, for a total of 58 cm. By the time you add any foils, framing, and finish fabric, that brings it up to about 60 cm. That will go down into the low 30 Hz region quite decently. Getting lower than that takes even more space.
Or should I make them 25 centimeters wide and hang them in 90 degree angle to the back wall?
I would not do that, no. 25 cm is not going to be highly effective, no matter how you hang them. It will do a lot of good, yes, for sure, but to go down low, you need more depth overall.
Due to the layout of the room, I will be able to treat about three meters in width of the back wall
Why only 3m? You said the room was 4m wide... Please provide a diagram of the room, showing how you have it laid out at present, with dimensions, indicating the positions of the speakers, mix position, other furniture, doors, windows, etc. And photos! It really helps us to understand your room better if you post photos of it. - Stuart -
Thanks Stuart! Really appreciate your help!
Soundman2020 wrote:
I usually put 5cm to 10cm if fiberglass insulation directly in the wall, then a small gap, then the hangers from there, as long as I can make them, and angled somewhere between maybe 15° to 35°, depending on the room.
Okay, good to know.
Have you done a REW test, to determine the exact frequency, and see just how much of a problem it is?
Yes, I have. It's a colleague's control room and due to the fact that he's using a pair of two-way Genelec speakers that aren't that big, the resonance at 34Hz is not that problematic as it would be with larger speaker. But playing a guitar cabinet in the room, the resonance becomes quite obvious.
How? Where? What type? How big? How thick? How effective are they? What were your decay times like before you put those in (measured at 1/3rd octave band centers), and what are they like now?
It's a combination of Vicoustic Wavewood and Cinema Round absorbers, and Super Bass Extreme and Vari-Bass bass traps - they made quite a difference in this room. My colleague didn't want to build anything, just apply absorption and bass trapping with commercial products, and they had to look good. He's not a mixing engineer, just a musician recording and producing his own band. In my experience, this treatment would be fine in a normal room with wooden or gypsum walls, but I told him that the stone walls and concrete floor and ceiling help keep most of the low-end energy in the room. So he said, let's do the initial treatment and hear how it sounds, and leave the big bass trapping for later. Now, he wants to go for the second phase of the room treatment, and that will be putting acoustic hangers close to the back wall. Having built several smaller studios myself, I know that all surfaces needs to be properly treated, but it simply wasn't possible in this room - there was already a really large and heavy production desk in position, so I had to go for simple absorption panels on the front wall.
The reason I ask all of that is because a common mistake is to over-treat the mid and high range, simply by having too much bare absorption aimed at the low end of the spectrum. You might need to do somthing to fix that if this is what has happened.
Agree, and nothing is more unsexy than an overly treated room in the mid-range and treble, but still with boomy low-end that clouds the mid-range even more. This is not the case, the Wavewood panels provide (somewhat) diffused reflections from about 2kHz and up, and sound really musical. So, in my opinion the room is not overly damped.
It's not just the width of the hangers that is important, but also the depth that they cover, plus other absorption in the same area. As I mentioned above, I put absorption against the rear wall, then the hangers, and sometimes I put more absorption in front of the hangers. For example, a 5cm or 10cm thickness right across the room, or partly across the room, just a bit in front of the hangers. That can extend the range quite usefully, and also improve the effectiveness. So, for example, I might have 5cm at the back a 2 cm gap, 40 cm of hangers (wider than 40cm, but angled), 2cm gap, then 10cm of absorption at the front, for a total of 58 cm. By the time you add any foils, framing, and finish fabric, that brings it up to about 60 cm.
Okay, I have persuaded him to go for 50 cm depth, and more in one of the back corner, the other corner is occupied by a radiator and can't be exploited. May I ask what kind of absorber you put on either side of the fiber-board? And how thick?
Why only 3m? You said the room was 4m wide...
It's due to limitations in the layout of the room. But I will be able to treat one of the back corners. It's not kosher, I know, but I figure it's better to treat one of the corners, than none of them.
Please provide a diagram of the room, showing how you have it laid out at present, with dimensions, indicating the positions of the speakers, mix position, other furniture, doors, windows, etc.
I don't want to derail this thread about acoustic hangers, maybe I'll start another thread with REW measurements and photos. Many thanks Fred
I don't want to derail this thread about acoustic hangers, maybe I'll start another thread with REW measurements and photos.
Excellent! As soon as you have your new thread, please place a link in your first post there back to your first post here, so people can follow things better, and also in your post above, add a link to your new thread.
he's using a pair of two-way Genelec speakers that aren't that big, the resonance at 34Hz is not that problematic as it would be with larger speaker.
When you do the REW test, do make sure that you have the system calibrated correctly for 86dB with both speakers on (refer to this post for details: viewtopic.php?f=3&t=21122 ), and run your tests from 18 Hz to 22 kHz. Hopefully that will trigger the mode enough to identify it well. Also, if there is any treatment that can be taken out easily, then do one set of tests with no treatment in the room (or as little as possible), and another set of tests with all the treatment in. That helps in two ways: 1) Better identify all of the low end issues, and 2) show what is working with the current treatment, and what isn't working.
a combination of Vicoustic Wavewood and Cinema Round absorbers
Those are good mainly for controlling the mid range, especially the low mids. They don't do much at all for the low end.
Super Bass Extreme and Vari-Bass bass traps
They go down a bit lower, for sure, but the still don't get to the area you need to deal with. 30-something is really low, and hard to hit.
My colleague didn't want to build anything, just apply absorption and bass trapping with commercial products, and they had to look good.
To be honest, I'm not aware or any commercial products that accurately and effectively target the very low end, below about 50 Hz. That's a really tough zone to deal with.
but I told him that the stone walls and concrete floor and ceiling help keep most of the low-end energy in the room.
Exactly. Most people don't realize that by "soundproofing" (isolating) a room, they make it sound WORSE inside. The better isolation you have, the worse the room will sound inside. Because isolation prevents the sound from leaving, and if it cannot leave then it must stay inside! Bouncing around . . .
So he said, let's do the initial treatment and hear how it sounds, and leave the big bass trapping for later.
:) :roll: That's actually a bit amusing, since the "initial treatment" for any small room IS the bass trapping! :)
This is not the case, the Wavewood panels provide (somewhat) diffused reflections from about 2kHz and up, and sound really musical. So, in my opinion the room is not overly damped.
I'd really like to see the REW data, and get details of the room dimensions, layout, and current treatment, to see where it is right now, and where it needs to go.
Okay, I have persuaded him to go for 50 cm depth,
:thu:
the other corner is occupied by a radiator and can't be exploited.
There might be a way around that... photos! :)
May I ask what kind of absorber you put on either side of the fiber-board? And how thick?
Medium to light density fiberglass, usually. Maybe around 25 kg/m3m or a bit less. And at least 25mm on each side, more if the room geometry will allow it. 50mm on each side is a good depth to aim for. It's the panel spacing and angles (as dictated by room width), that puts a limit on that. You don't want to go too high in density, or you lose effectiveness in the low end. If you can find the GFR numbers for the products you are considering, then something in the range 10,000 to 20,000 would probably be about right.
It's due to limitations in the layout of the room. But I will be able to treat one of the back corners. It's not kosher, I know, but I figure it's better to treat one of the corners, than none of them.
How about the other corners? There are twelve corners in a room... Have you considered doing the rear-wall/ceiling corner? Like this:
Image not preserved: hangers_1.jpg
Looking forward to your thread! - Stuart -
Soundman2020 wrote:
So he said, let's do the initial treatment and hear how it sounds, and leave the big bass trapping for later.
:) :roll: That's actually a bit amusing, since the "initial treatment" for any small room IS the bass trapping! :)
I know, I know. But building thick absorbing inner walls was not an option for my colleague. If I had made such a solution for his room, he would have backed away and continued to produce music in cave acoustics. ;-) Looks like I can't exploit either of the back corners after all, because there's ventilation in one corner and a radiator in the other. So, what do you think of the following solution for the backwall? (see attached pics)
Image not preserved: Backwall Hangers 1.jpg
Image not preserved: Backwall Hangers 2.jpg
With "breathable" cloth in front of the isolation. The hangers have a width of 50cm. Cheers Fred
This article talks all about acoustic hangers and how to choose the right ones for your space:
WRONG! The article does NOT even mention the type of acoustic hangers that this thread is all about!!! And that is pretty darn obvious, just from looking at the last few posts. But would be abundantly clear if you would start from the beginning! If you don't know the difference between an isolation hanger and an acoustic bass trap hanger, then you have no business posting on this thread at all. Next time READ THE THREAD before you post totally irrelevant trash. Also, read the forum rules for posting (click here). . YOu have been warned twice now. You won't be warned a third time. So far, you are acting very much like a "signature spammer", which is why I've been watching your posts so closely, and disabled your signature on every single one. If that is your intention, then leave now. If you really do want to be an active, participating member of the forum, then follow the rules. - Stuart -
So I am trying to find homasote for the hangers but unfortunately is not available here in Greece. So I 've got three alternatives (thin to thick and cheap to expensive). I am posting here and not on the thread I started about my studio, so people will know about these as alternatives (in case they do work) COPOFEL is made of short-grained cork with polyurethane binder. Density: 200-280kg/m3. Thickness of 5mm. Price=0.67€/m2
Image not preserved: COPOFEL-800x800.JPG
Expanded polystyrene (EPS) density range of 11 to 32 kg/m3. Thickness of 10mm. Price=0.70€/m2
Image not preserved: PLAKES_FELIZOL-500x500.jpg
Standard rockwool Density: 150kg/m3. Thickness of 20mm. Price=3.44€/m2
Image not preserved: 7023_150mm-2.jpg
Which one do you think will work best? My opinion is the rockwool but regarding the price maybe the next best option is the cork. But I would like to hear your thoughts guys. Thanks a lot George
Definitely not the polystyrene or the rockwool. Maybe the "copofel" might work... Is it fairly rigid, something like OSB but softer and more flaky? Also, 5mm is too thin: it needs to be about 12mm - Stuart -
Soundman2020 wrote:
Is it fairly rigid, something like OSB but softer and more flaky
Yes it is softer and flaky but not even close to rigid as osb is. its kinda flexible. I guess if I glue two sheets together will be more rigid but still.. I `ve been searching for alternatives but with no luck. So it needs to be rigid like osb but kind of softer, probably porous, density of 150 to 300kg/m3? hmm :roll:
It's the stuff they use as the backing behind dart boards in pubs and other gaming areas. Also used to be used as notice boards and message boards in offices, schools, churches, etc., to pin up things with push-pins. - Stuart -
Not here in Greece. For dart boards it's cork. Same for pin boards etc I can see on official site they only retail in US and Canada. No international retailers. Google returns no results when you search for homasote only in Greece That said I dont really know what we are talking about so to look for similar product. I found agglomerated cork sheets of 12mm thickness , density 230kg/m3 .......for 30euros/m2....... :shock:
I found agglomerated cork sheets of 12mm thickness , density 230kg/m3
That might work! Do you have any more info on that? A link maybe? Here's what Homasote looks like:
Image not preserved: Homasote_1.jpg
A bit like soft, flaky MDF. But that cork stuff sounds interesting. - Stuart -
Soundman2020 wrote:
Do you have any more info on that? A link maybe?
Image not preserved: cork.jpg
That's for sheets which go up to 200mm thickness!
    Specifications: - grain size: 0,5-1,0 mm (fine), 1-2 mm (medium), 2-6 mm (coarse) - density: > 230 kg/m3 - thermal conductivity: 0,045 W/mK - combustibility: euroklasse E - tensile strength: more than 400 kPa
Thats for rolls up to 10mm
    Specifications: - grain size: 1-2 mm (medium) - density:> 260 kg/m3 - thermal conductivity: 0,045 W/mK - combustibility: euroklasse E - tensile strength: > 400 kPa - compressibility: 15-30% - compression: 20-40% - flexible return: > 75% - dimensional stability: under 0,5% - capillarity: no
That looks like it should work. I would suggest buying one sheet of the course stuff and making a test hanger, to see if it will work physically: hang straight and true, without bending or sagging: take the weight when hung from just two points, without tearing. Be able to attach the insulation properly. Etc. If it works out OK, then carry on! - Stuart -
Soundman2020 wrote:
I would suggest buying one sheet of the course stuff and making a test hanger
Thank you very much for your help! I will now try to find the same material but as cheap as it gets. You see its 15€ for 1/2 m2 sheet and for 4m high ceiling I will need 4 of them... That's 60€ for each hanger, just for the core, without insulation etc.. damn :cry:
That's 60€ for each hanger, just for the core, without insulation etc.. damn :cry:
Hangers are super super super expensive :-( Acoustic measurements should prove that it's worth it though. Greg
Hangers are super super super expensive
Good to know before starting..Ty sir
almaelectronix wrote:
Soundman2020 wrote:
I would suggest buying one sheet of the course stuff and making a test hanger
Thank you very much for your help! I will now try to find the same material but as cheap as it gets. You see its 15€ for 1/2 m2 sheet and for 4m high ceiling I will need 4 of them... That's 60€ for each hanger, just for the core, without insulation etc.. damn :cry:
Cork is a really expensive way to go, it would work well but unless you can get it for really cheap (such as a job lot of notice boards from an office clear out or something) then why not just use thin ply or chipboard? 5mm OSB would be fine. Philip Newell uses up to 19mm chipboard or ply for hangers sometimes, though personally that seems over engineered to me as it would be quite heavy. You could also use underlay boards used under laminate flooring, it's very similar to homasote. it's cheap and easy to work with. You should be able to get the whole lot that required to make all the hangers for about the same price as one made from cork!
why not just use thin ply or chipboard?
Because it is too dense, too hard, too rigid, too heavy. Homasote is around 290 kg/m3. OSB is more than twice that, at around 610 kg/m3. Homasote is soft, a bit flexible, pliable. OSB is hard, rigid, not very flexible. MDF is even more dense, at around 750 lg/m3. Nearly three times the density of Homasote or cork. They don't compare.
You could also use underlay boards used under laminate flooring,
I've never seen underlay 12mm thick. I didn't know they make it that thick. What's the density? - Stuart -
Soundman2020 wrote:
why not just use thin ply or chipboard?
Because it is too dense, too hard, too rigid, too heavy. Homasote is around 290 kg/m3. OSB is more than twice that, at around 610 kg/m3. Homasote is soft, a bit flexible, pliable. OSB is hard, rigid, not very flexible. MDF is even more dense, at around 750 lg/m3. Nearly three times the density of Homasote or cork. They don't compare.
You could also use underlay boards used under laminate flooring,
I've never seen underlay 12mm thick. I didn't know they make it that thick. What's the density? - Stuart -
Who am I to argue with you Stuart? All I know is that Tom Hidley and Philip Newell are the pioneers of these hangers and if thats what they use/d then it must work. Also it has been suggested by others on earlier pages of this thread including John that OSB would work fine. The underlay was also suggested on earlier pages of this thread without complaint. It seems to me that if Homasote is not available (like here in Europe) then any of these alternatives will have to do.
After about ten years of lurking this site and others I'm actually starting a (modular) studio build. I love the hanger concept, the simplicity of building them. I have a few back wall options that I'm weighing now. For those you who have used hangers in your designs, are they mostly uniform in length? In the US Home Depot has 8' by 4' Homasote boards, I'd likely cut down to 8 by 2, but they also sell 4' by 2'. Any recommendations on length?
Hi Boxtone. Please read the forum rules for posting (click here). You seem to be missing a couple of things! :)
For those you who have used hangers in your designs, are they mostly uniform in length?
Generally, yes, but they don't have to be. Changing length and width can be used to "tune" the hangers, to a certain extent, in the sense that the bigger it is, the lower it goes in frequency.
Any recommendations on length?
Ceiling to floor, or as close to that as you can get. - Stuart -
So it seems I can't even get the cork sheets I need for hanger's core.. its been a month of waiting now after making the order and the one guy out of all that actually said he sells the damn thing just cant give me a clear answer.. I am forced to use the only materials I can get. That will be 6mm chipboard. John said that even 6mm osb is fine so i guess chipboard which is softer and less dense will be even better
That will be 6mm chipboard.
If that's all you can get, then it will probably work OK. It's better than nothing! - Stuart -