and now it's just a big rectangle
... and why do you think that is a problem? What's wrong with a rectangular live room?
This is the main live room at Abbey Road, arguably one of the best studios on the planet:
abbey-road-JJ_02.jpg
It's basically just a rectangle. And famous for being the studio of choice for the Beatles, among many other big-name bands and artists.
From a thread yesterday, this is the main live room for Studio B at United Recording Studios in LA:
Studio_B_TOP.jpg
That room is billed as one of the best drum tracking rooms in the world. And it is basically a rectangle.
Main tracking room at Blackbird Studio A:
Blacbird-tracking-A-rectangular-ATrks2.jpg
Main live room at East-West studios:
main-live-room-east-west-studios--rectangular.png
Teledex in Berlin, main tracking room:
teledex-berlin-main-tracking-room--rectangular.jpg
On a smaller scale, the main tracking room at Studio Three Productions, in Missouri:
RDMOUS-Studio-3-productions--Main-live-room-completed-7-drums.png
And since I had a hand in designing the treatment for that room, I have some construction photos, in case you are interested:
RDMOUS-Main-live-room-under-construction-2.jpg
(more here:
http://studio3productions.com/ and here:
http://www.johnlsayers.com/phpBB2/viewt ... =2&t=20471 )
So as you can see, there's nothing at all wrong with having a rectangular shaped room for your tracking room (live room).
What would be a better layout if I decided to make the room irregularly-shaped.
Not necessarily. It would be better to use TREATMENT that is irregular and tuned correctly to deal with specific issues, such as you see in many of John's studios. Splaying sections of your walls wastes a lot of space. Treatment wastes less.
Another reason for perhaps rethinking the layout is that the ratios of the room aren't good either.
It's a tracking room / live room, so ratios are not critical at all. The room can have unbalanced modal response, as long as it is controlled with treatment. That can be part of what give the room its "character" or "vibe", which artist might like, and might attract them back again.
Either way I'm going to need a butt-load of acoustic treatment once I've puzzled this out.
For the control room, absolutely! Because it is small and MUST sound neutral. But not necessarily for the live room. LIve rooms are supposed to be... welll... umm... "live"!!
This is set up for full band recording so I need to be able to account for people playing loud.
"accounting for people playing loud" is part of the isolation of the room, not the treatment. If you play a song at 120 dBC in an anechoic chamber, it will still measure as 120 dBC. and will still be loud, even though the room is absolutely dead! IN other words, you can't reduce the SPL level in the room below what it is, by using treatment. If the band plays at 115 dBC, then that's how loud it will be in the room, regardless of how you treat it. It might
sound louder with no treatment at all, but that's due to resonance, reverberation, reflections, etc., not the sound source itself. Your treatment will make the room sound nicer, better, smoother, warmer, brighter, cleaner, tighter, etc., since it must control all of the "resonance, reverberation, reflections, etc.", but it won't reduce the total level below whatever the band is putting out.
Also, one constraint for the project is that the live room needs to have a floating floor
That's a pity, since not many studios have floating floors, because not many need them! Here's why:
http://www.johnlsayers.com/phpBB2/viewt ... f=2&t=8173
But since that seems to be a non-negotiable parameter, you'll have to live with it.
However, floating floors don't take up an enormous amount of room. Just a few inches. So one step up is all you'd need. However, if the studio is not yet built, it would be better to excavate that part of the building a few inches deeper, to allow for that, so all the floors end up at the same level...
so would that mean there needs to be a few stairs leading from the passageway to the live room?
One step would be more than enough. A floating floor only takes up a few inches, and a "standard" step rises 7-1/2". More than enough for a 4" slab over a 3" air space, with laminated flooring on top, over suitable underlay.
I apologise if these are simple questions, evidently 8 days worth of lectures beforehand isn't enough training
Yup. Eight years would be about right, I reckon...
- Stuart -