i am going to use a small area of wood flooring under the console with the rest being a good thick carpet.
That's probably a bad idea. Acoustically it is better to have a hard reflective floor and a "soft" (absorbent) ceiling, for several reasons. As you do your research here, I'm sure you'll come across those reasons, so I won't spoil the fun for you!
A carpet is probably a bad idea anyway, unless you have detailed acoustic specifications for that specific carpet. Carpets are notorious for being selective: they absorb highs, not lows, and absorb some frequencies much better than others. Unless you know which frequencies your specific carpet affects, and exactly how it affects them, then you have no idea at all what it will do. But most likely it wont be nice! A "good thick carpet" on the floor will more than likely end up making your room sound dull, lifeless, "cavey", or even "boomy". Contrary to internet lore, carpets are not great at helping room acoustics, unless you know what you are doing with them, and chose specific carpets for specific purposes.
So most people go for hard floors, either plain concrete, or concrete with laminate flooring laid directly on top, or some other kind of solid flooring. Then put a "soft" (acoustically absorbent) ceiling opposite the carpet, but designed specifically for the purpose.
the air vents in the walls will be mortar thickness, there are some slip/ slimline vents that can be found now, its just to allow a slight air flow through the cavity,
Any air flow at all is too much! Both leaves of your wall should be hermetically sealed, absolutely airtight. If you put any kind of hole at all in it, even a tiny crack, then you compromise isolation. I don't recall reading how much isolation you need for your build, so maybe it's no big deal, but you do need to be aware of that, and if you can build with no vents, then that would be better.
when i do the inside out room im going to put 2 sheets of 12mm gypsum board on the frames,
12mm is too thin! You need 15mm. Once again, this is about the MSM system. Thin drywall has a much higher resonant frequency than thicker drywall, and is less stiff. You need the thicker stuff in order to get good isolation performance out of your wall.
then fill the voids with rockwool, cover with the foil backed/faced urethane board as it also acts as another vapour barrier
"Another vapour barrier"??? I'm not an expert on vapor barriers (xSpace is one of the experts on that), but as far as I know, you only ever want ONE vapor barrier in your wall, never two or more: You should probably check on that! Also, the entire air gap (cavity) between the leaves should be filled with rock wool, or if you can't do all of it, then as much as possible. Not filling the entire cavity will also cost you isolation. The density of the rock wool should be around 48 kg/m3.
im thinking along the same lines for the celing.
It has to be the same way, all around. Walls and ceiling need to be done identically. If not, then one of them will be your weak point, and that weak point defines the performance of the entire build. So for example if you did each leaf of your wall with 2 layers of 15mm drywall, but then only did one layer of drywall on the ceiling, then you wasted a lot of money putting the second layer on the walls, because the isolation of the entire room is limited to what the ceiling does in that case. so whatever you do on the walls, you have to do on the ceiling too. Then you have to do the same for the windows and doors. It's like a chain: only as strong as the weakest link. If you have great doors, walls and ceiling, but only a thin window, then the entire room is no better than the window. Whatever isolation you get from the window is the isolation that the entire room will have.
Think of the entire room as a system, not as individual parts. ANYTHING you change in ANY part of the room, affects the entire system. It doesn't affect just the component you changed. Think of it like a fine violin: If you cut an extra hole in the violin body, that doesn't just change how the body sounds in that location: it changes the sound of the entire instrument. The same if you stick a lump of putty on the back of the violin: it changes the entire sound, not just the sound of the back. Or bend the neck to a new angle: ditto. The same happens with your room isolation: the entire room construction is designed to be a tuned MSM system, and if you change any one thing about it then it changes the entire system, re-tunes it, causes it to act differently. The change may or may not be important, but it still changes. So you do need to be consistent right around the entire room, keeping the same surface density all over the walls, doors, windows and ceiling, with the same seal all around, on both leaves, etc. Once hole, anywhere, compromises the entire system. One change in density does the same. Etc.
Food for thought!
:)
- Stuart -