A set of questions finishing multi-use ADU production room

How thick should my walls be, should I float my floors (and if so, how), why is two leaf mass-air-mass design important, etc.

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A set of questions finishing multi-use ADU production room

Post by bannerj »

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The structure of this building has been built, an ADU above a new garage in my backyard/ I'm currently finishing the interior (insulation, electrical, HVAC, flooring, drywall etc). This is a multipurpose room to meet with clients, and day and night retreat space as well as a production room. I imagine a few friends and their bands will use this a few times per year, but it is mainly used to produce a podcast and its original music.

This will not be a fully air sealed/isolated room. Its a pretty quiet street. We won't be recording rock drums late in the night/morning. I'm trying to get as much isolation as I can while getting the room sonically stable for mixing.

I have $4k to spend.

I believe the room is: 4207.125 ft3
I'm not great at math though, so:
Length 21’ 6.75”
Width 19’ 6”
Wall Height is 8'. Another 4' to the pitch of the cathedral ceiling.

Floors are 1/3 reclaimed barn wood and 2/3 finished OSB with a poly coat.

HVAC is a minisplit

The ceilings will be completely spray foam on 2x12 custom rafters. No further venting needed. The exterior walls are 2x6 with one layer of 2.5" foam board and then rockwool. I'm trying to decide if it is worth it to hand a second layer of sheetrock decoupled with green glue. I have those stock windows that will let so much noise in anyway.

The large rectangle behind the speakers is a murphy bed. A Purple mattress is going in there. The small desktop in front of the bed is moveable to allow the bed to be opened/lowered. Underneath the desk on the left and right of the bed, there will be shelves and/or drawers. On the walls to the left and right of mix position, I was hoping to place shelves with books? I do need a place for books in the room.

You will see on the far left side of the room an opening that isn't drawn out yet. That is a 30" gable with a double window. A small desk is going in there.

I am hoping to build many of my own absorbers/traps. I've contacted GIK to see what recommended products they offer that I can't build.

In one picture, you can see a 5'x8' window directly behind mix position. I'm planning to remove it and re-install it with the necessary off-axis (splay?) to redirect the reflections. I'm wondering how much it needs to be turned.

Main questions right now:

1. is it worth it to decouple the walls and ceilings with a second layer of sheetrock and green glue even though I have the three exterior windows and a standard exterior door? What if I just add extra sheetrock around the mix position there, perhaps that could help just at mix position?

2. How much should I turn the large picture (5'x8') window behind mix position? How far off-axis? Any tips/things to consider about installing an exterior window that is not installed this way? I'm still curious if the city will let me do this. If it isn't allowed to be adjusted, what should I do to cut down on those nasty reflections? I've thought about heavy curtains?

3. I'm considering finished plywood on the ceilings? Is that any better or worse than sheetrock?

4. How much can I count on that Purple mattress to act as a bass trap?

5. Can I have bookshelves anywhere near mix position in a way that they help sonically? My studio now is in my small home office with books to the left and right walls.

6. Any other overall suggestions? Concerns? Considerations as you look this over?

Thanks thanks,

jb
Soundman2020
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Re: A set of questions finishing multi-use ADU production ro

Post by Soundman2020 »

Hi there JB, and welcome! :)
This will not be a fully air sealed/isolated room. Its a pretty quiet street. We won't be recording rock drums late in the night/morning.
And in your part of Holland, there's no wind, rain, hail, thunder, aircraft flying over, helicopters, sirens from emergency vehicles, trains, trucks, buses or similar loud things outside, that could trash your recording / rehearsal / mixing sessions inside? And nothing in the house that could interfere either, such as doors opening and closing, people walking around, radios, TVs, washing machine, vacuum cleaner, water running in pipes, toilet flushing, phone ringing, people talking... :) I think you get the point.... Isolation isn't just about stopping drum sounds from getting out, or annoying the neighbors. IT's also about incoming sound messing with your studio sessions.
I'm trying to get as much isolation as I can while getting the room sonically stable for mixing.
Isolation and treatment are two entirely different things. They are related, vaguely, distantly, in the sense that a room with lousy isolation is allowing some frequencies to escape, which means that you would need to treat the room differently than if it was well isolated, but they are still two different aspects of acoustics, and they are accomplished in different ways.
HVAC is a minisplit
That's only one part of HVAC: That's just the part that does the heating and cooling. The OTHER part is just as important: ventilation. You need to get fresh air in there, flowing at a constant rate, and remove the same amount of fresh air.
The ceilings will be completely spray foam on 2x12 custom rafters.
The typical spray foams that are commonly used are "closed cell", and also very low mass, and therefore have no useful acoustic properties at all.
No further venting needed.
Why do you say that no further ventilation is needed? You say you plan to work in there yourself, with musicians, and clients, which implies that there will often be several people in there. People need to breath! They exhale large amounts of CO2 and other gasses that need to be removed from the room, and they inhale quantities of oxygen too, in order to stay alive. If you do not ventilate the room properly, it will get very stale and unpleasant quite fast, and as the CO2 concentration rises further, the people in there will suffer a broad range of issues, including headaches, distorted vision, lack of concentration, and other even less pleasant ones.
I'm trying to decide if it is worth it to hand a second layer of sheetrock decoupled with green glue.
If you need anything more than very low isolation, then yes, that would be a good idea.
I have those stock windows that will let so much noise in anyway.
There are ways of dealing with windows, if they are not isolating well...
Underneath the desk on the left and right of the bed, there will be shelves and/or drawers.
Well.... there won't be if you want good acoustics in the room! :) The speakers should go on stands, not shelves.
On the walls to the left and right of mix position, I was hoping to place shelves with books?
Not a good idea to do that in the front half of the room, but it would probably be OK in the rear half (behind the mix position). The front half of the rom must be symmetrical. That is critical.
You will see on the far left side of the room an opening that isn't drawn out yet. That is a 30" gable with a double window. A small desk is going in there.
That's going to be another problem....

Above I mentioned that symmetry is critical. That means that the left half of the room MUST be a mirror image of the right half. Everything must be the same on both sides. This is very important. If you don't have symmetry, then you don't have a control room. Both of you speakers must "see" the same acoustical loading, and that wont happen if the room is not symmetrical, and more important, your ears must hear the same acoustic "signature": your left ear must hear the same ambient acoustic situation as your right ear. If not, then your mixes will not translate.
I am hoping to build many of my own absorbers/traps. I've contacted GIK to see what recommended products they offer that I can't build.
You can probably build everything that you need yourself, if you are reasonably handy with a saw, drill, and hammer.
In one picture, you can see a 5'x8' window directly behind mix position. I'm planning to remove it and re-install it with the necessary off-axis (splay?) to redirect the reflections. I'm wondering how much it needs to be turned.
I'm not understanding what you mean there: Why do you want to move that window, when it is BEHIND you, and will be totally covered up with treatment in any case? It's a small room, it has a very "acoustically inhospitable" shape, so the rear wall is going to need MAJOR treatment. That window will not be visible at all. Even if it was visible, there's still no reason to take it out and re-install it an an angle: Why do you think you need to do that?
1. is it worth it to decouple the walls and ceilings with a second layer of sheetrock and green glue even though I have the three exterior windows and a standard exterior door? What if I just add extra sheetrock around the mix position there, perhaps that could help just at mix position?
It is impossible to isolates just one part of a room, the same as it is impossible to build an aquarium with glass on only one side of the frame.... If you need isolation, you MUST isolate the entire room. If not, then sound will get out through the part that you DIDN'T isolate, and it will spread around all over from there.
2. How much should I turn the large picture (5'x8') window behind mix position? How far off-axis?
I still don't understand the reason why you would want to "turn" it at all: there's no reason for doing that. Especially considering that it won't even be seen, once the treatment is in place.
3. I'm considering finished plywood on the ceilings? Is that any better or worse than sheetrock?
Sheetrock (= drywall, = plasterboard, =gypsum board) is higher density, and is usually less expensive then plywood in most places. So if you use plywood, it would have to be thicker to get the same mass as the drywall. Other alternatives are OSB and MDF. BUt either way, once again it isn't really important visually, since ost of the ceiling will be covered with acoustic treatment.
4. How much can I count on that Purple mattress to act as a bass trap?
Not very much! Mattress foam is not acoustic foam, and doesn't absorb a lot of bass. It will absorb some, yes, but not enough. Besides, it is on the front wall, not the back wall, so even if it was a great absorber, it's not in the right place to be very effective.
5. Can I have bookshelves anywhere near mix position in a way that they help sonically?
You ca have shelves, yes, but not hear the speakers! The speakers need to have just a plain flat wall behind them. The shelves can go on the side walls towards the back of the room.

- Stuart -
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Re: A set of questions finishing multi-use ADU production ro

Post by bannerj »

Thanks for your feedback. I just realized you are posting on the GS forum too?

I had written out a looong response and lost it. My main question is whether its silly for me to be bothering you or other folks who design spaces specifically dedicated to recording. This is a multi-use room that will get lots of use for making music but it has to also be a space for hospitality.

My questions are focused on how to get the best isolation and improve acoustics within those above limitations.

Right now my biggest question is about what goes in the walls and then a double layer of sheetrock on walls and ceiling with GG. I think it was your post Stuart about how GG does not decouple in one GS thread. Okay. So, should I still plan to install two layers with GG all the way around even though I have a standard door, the 5x8' window and the two 2x4' windows?

I can't do a hat channel with hangers to properly decouple, but will this double layer make much of an improvement in isolation to make it worth the cost?

Then regarding what goes in the walls: the studs are 2x6s. I got a bunch of 2" foam board from a friend at cost. I know it, like the ceiling spray foam don't do much for isolation, but in the walls I still have 3.5" or so that I can fill with something more? Do I want rockwool or just fiberglass?

THanks for any help/input.

I know this room will not be near ideal for your standards. I've never had a dedicated recording space at home, only at the college where I've worked for years (where I no longer work....). I've made lots of music in odd spaces. This room will be a major step up for me.

Thanks
Soundman2020
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Re: A set of questions finishing multi-use ADU production ro

Post by Soundman2020 »

I just realized you are posting on the GS forum too?
Occasionally, yes! But not nearly so much as here, for various reasons...
My main question is whether its silly for me to be bothering you or other folks who design spaces specifically dedicated to recording.
Not silly at all! Acoustics is acoustics, and it applies to all rooms, just the same (well.... with some caveats....). The same basic principles work for whatever it is you need to do.
This is a multi-use room that will get lots of use for making music but it has to also be a space for hospitality.
No problem. There's treatment that can be used to get whatever result you want. I also have clients who are churches, for example: not related to recording or studios at all. That's probably closer to what you need than a recording setup.
Right now my biggest question is about what goes in the walls and then a double layer of sheetrock on walls and ceiling with GG.
What I would suggest is that you first define how much isolation you need, in decibels. That's an important starting point for designing your room. Do some tests with a sound level meter and a loud sound source set up in the room, and see how loud that it outside, and at other points in the building, then based on that, you can take a look at your isolation options. It's much better to work from a known starting point towards a known goal, rather than just guessing at different approaches, and hoping the one you chose will help.

I'll be honest with you, and say that after you have done the tests, defined a number, and looked at your options, you probably won't be very happy. Your room is on an upper floor (not the ground floor), which already makes it hard to isolate, you plan to have loud instruments in there, some of which are hard to isolate, and your budget is very tight. So I would suspect that what you need to do, in terms of isolation, wont be achievable. That doesn't mean that the room is going to be a failure! Not at all. It just means that you'll probably need to downgrade your expectations, and live with then consequences of less isolation that you really need.

So, that leads to the question: Is it worth spending a lot of money to get to a situation that isn't what you need? For example, let's say, for argument's sake, that right now you are getting 30 dB of isolation, that you calculate you need 60 dB of isolation to do what you want, but that by spending half your entire budget just in isolation, you can only get to 40 dB, and even if you spent all of it on isolation it would still only be about 45 dB (for example!). Is that worthwhile? That's a call only you can make. Is it worthwhile spending a lot of money for only a small improvement in isolation?
Perhaps it would be better to just live with what you have, and instead spend money on treating the room so it sounds good inside, and looks nice, and is comfortable, even though it doesn't isolate? That's something I can't tell you. I can just give you the numbers and the methods and the materials, but you have to decide if less-than-optimal is still a worthwhile goal.
I think it was your post Stuart about how GG does not decouple in one GS thread.
Ah yes. The "Ham Sandwich" post! :) Right. decoupling is not what GG does: it helps to improve isolation, and in a wall that is already decoupled it works really well... less so in a non-decoupled wall. True.
Right now my biggest question is about what goes in the walls and then a double layer of sheetrock on walls and ceiling with GG.
It will help, yes, but it isn't magic. It's not going to give you excellent improvement in isolation. It will do something, for sure, but if you don't decouple, then you are basically limited by a principle of physics called "mass law". It's a very simple equation, actually:

TL = 14.5 log (Ms * 0.205) + 23 dB

Where: M = Surface Mass in kg/m2

If you do the math, you'll see that each time you DOUBLE the mass of a single-leaf barrier, you get an increase of about 6 dB in isolation. Subjectively, you need an increase of 10 dB for you to judge that the level dropped to half of what it was. So, if you have a wall with a total of two layers of drywall on it, and you are getting 30 dB of isolation (for example), then you add another two layers, you will now get 36 dB of isolation. The perceived level will have dropped a bit, but not much. If you then add another FOUR layers of drywall to that wall (in addition to the four you have at this point), your would get another dB (because you doubled the mass again), so now you have 32 dB, and it sounds about half as loud as it was originally. But you had to get a total of eight layers of drywall to get there.

Mass law is not your friend. Single-leaf barriers are subject to mass law.

Now, maybe if you put GG in between all of those new layers of drywall, that might improve things by another 6 dB, (perhaps... I really don't know if that would be the case), so you get a total of 38 dB isolation... which means that, subjectively, the level would now be a bit louder than one quarter of what it was originally. Probably still not enough to be attractive.

To put all of that in perspective: Typical listening levels for mixing are around 80 dB, so if you had 38 dB of isolation, then that would be about 42 dB outside. That's fairly quiet, but not silent. It would need to go down another 10 dB to be really silent for most people.
So, should I still plan to install two layers with GG all the way around even though I have a standard door, the 5x8' window and the two 2x4' windows?
Like I said: measure some real levels with a meter, to see how much isolation you are getting at present, and to also see how quite you need to be (in other words, measure the ambient noise outside when there's no sound at all from you or anyone else). Compare those numbers, to see how much extra you need to get to "silent", then we can help you figure out possible ways to do that, and answer your question more intelligently.

Maybe the answer is "yes"! Maybe what you are proposing is actually going to get you enough extra to be worthwhile. Maybe not. But we'll never know by guessing! :)
I got a bunch of 2" foam board from a friend at cost.
What type of "foam board"? What is that foam? Is it proper acoustic foam, made be a reputable manufacturer? There's an awful lot of unscrupulous place out there that sell packing foam and upholstery foam, claiming that it is "acoustic", but really it isn't. It can look the same to the untrained eye, but in reality it's not much use at all. So do be careful! Double-check what you have there.
but in the walls I still have 3.5" or so that I can fill with something more? Do I want rockwool or just fiberglass?
Either mineral wool or fiberglass will work fine. If you get mineral wool, then you will need stuff that has a density of around 50 kg/m3. If you get fiberglass, then it needs to be around 30 kg/m3.

Yes, adding insulation inside the wall is a very useful thing, and it will help. Insulation by itself is very lousy at isolating, but when used as part of a system, it has a really good effect. So yes, doing that will help... but once again, is it enough? Especially considering that your ceiling is not isolated, is it worth isolating the walls? Sound will just take the easy path out of the room, so if you isolate the walls very well but do nothing to the ceiling, then you still don't have much isolation! Isolation is only as good as the weakest link.
I know this room will not be near ideal for your standards.
It doesn't have to meet MY standards! It has to meet YOUR standards... :) I can help you determine what those standards are, and you can then decide if it will meet them or not, and we can figure out together what you would need to do to meet them. But I'm not going to impose my standards on your place! You set the standards, and I'll help you get there...
I've made lots of music in odd spaces. This room will be a major step up for me.
:thu:


- Stuart -
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Re: A set of questions finishing multi-use ADU production ro

Post by bannerj »

Thanks Stuart.
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