Monitor Upgrade: Adam S3A or Klein+Hummel O-300 D

Started by sillybird on 17 April 2006. 14 replies, 2006–2008.

Originally posted at johnlsayers.com, topic 6029.

hi all first i want to thank all guys here for your incredible work, sharing the knowledge and let us see the progress of some incredible studio build processes! this is my first question here, hope i did read all rules right. I'd like to upgrade my studio monitors. I'm using Event PS8 active at the moment and like to have something in a higher class, price around 1800 Euros (per piece). I found two in this range: Adam S3A and Klein+Hummel O-300 D http://www.musik-service.de/adam-s3a-pr ... 180de.aspx http://www.musik-service.de/recording-m ... 635en.aspx Questions: - Did anyone have compared these two side-by-side? Results? - Which would you choose and why? - Are there other monitors in this price class i should look at? thanks a lot in advance greez roman
Also look at the PMC stuff. Jujuman 8)
thanks Juhuman I'll check those out. Is there a special model i should look at? cheers roman
Sillybird; Check out the PMC IB1S. He is a link to a MIX review. http://mixonline.com/mag/audio_pmc_ibs_ ... index.html\ I'm in the process of "cloning" it's bigger brother the MB2. But I'll be using a ribbon tweeter. I can't wait to finish. These monitors tell NOTHING but the TRUTH. If your mixes are good you will know, but if your mixes suck you will know that also. Both of these speakers are WICKED!!! Crisp like fresh vegies....... Jujuman 8)
thanx jujuman aah, a ribbon tweeter... so why not buy an adam? :P the truth, yes, that's what i'm looking for ;-) but i think i first have to redesign and rebuild my control room :-( it was built 5 years ago, when i had no knowledge of acoustics at all... but as usual, no time, no money :cry: cheers roman
PostPosted: Tue Apr 25, 2006 9:56 pm Post subject: thanx jujuman aah, a ribbon tweeter... so why not buy an adam? Well, because I can faithfully reproduce a $15K speaker for about $3K, once I know what drivers are used and crossover points. I know a genius crossover designer that will get me really really close to the original. I think that the effort is worth it. Jujuman 8)
ah, i see... would be nice to see some pics of the modification! just had a look at the pricelist of a distributor in germany for PMC. The PMC IB1S-A is 9000Eur!! this is definitely not in my price range :-( cheers roman
Sillybird I must apologize....... I did not know that they cost that much over there. I have seen them for $6000USD NEW. That is exactly why I "clone" the speakers that I like. These PMC's are more your speed. They have a similar "voice". http://www.proaudiokit.co.uk/eShop/Stat ... _AB2S.html Jujuman
thanx anyway ;-)
The ADAMs are awesome, I can say that much. I haven't had a chance to A/B them with the 0300's, but the ADAMs are really great. They are the kind of monitor you can listen to all day long, even if you have them blasting. They are VERY dependent on the room, and their placement within the room. You need to have a good room design with good treatment, and then following that you have to really spend some time auditioning them in various placements throughout the room relative to mix position. Don't expect to drop them in any old room and flick the power switch and think they sound great, it won't happen. They throw out ALOT of sound. For this reason you really need to have your room under control, with absorption, bass trapping, and maybe some diffusion. The efforts are worth it though, the ADAMs are great.
My view about Adam speakers: I have the ANF-10 for about half a year, which are very very similar to the A7. I have A/B'ed with A7 with the S3A for about 2 hours total, and in different days, just to be sure about my views, and these are such: The ANF-10/A7 are less bassy but more revealing- they add less of themselvs to the mix, while the S3A sounds a bit bigger. So I prefer the lower models. I don't look for impressive sound but the least colored one and most revealing, that differentiates between input program. All adams have excessive low mid which makes things sound impressive at first. I also have the Genelec 1029A 5" and custom built Selah Audio Carnelian floorstanders (with the legendary Seas Excel 8" woofer, morel midrange and Fountek ribbon), and the ANF-10, which now goes into the category of a boombox next to these, something to impress clients, if the input program ain't good enough to sound good on the Carnelian. The EQ'ing and reverb choice with the ANF-10 is less accurate then with the other two. they are usefull as another speaker set. Never heard the K&H, but from all manufacturers of studio monitors I tested, nothing compares to Genelecs. They changed the way I mix. I prefer them on top of the S3A anyday, and it's a much cheaper monitor, and very high bass rolloff.
I don't know how sells the Barefoot MM27 in your area or if you can have a listen for them, you should give a try.
S33a's I've been very happy with them for 3 years. (on steel stands)
I carefully tried the PMC IB1, ADAM S3A and the K and H 300. I bought the ADAMs. Regards, DD
PMC is not what is was, since they're not using ATC drivers. S3A are a very good choice & versatile.