In the above illustration, you will find the right place for inserting and installing acoustic panels. Pay attention to the entrance and the location of the table.
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Principle acoustic method of studio room
Originally posted at johnlsayers.com, topic 21186.
Actually, NO! That would be a pretty lousy way of setting up a room: - There is no bass trapping at the rear of the room = major first order axial modal ringing, probably around 35 Hz., 70 Hz, 140 Hz. - The speakers are too close to the corners. - The speakers are not aimed at the mix position - The mix position is way off-axis from the speakers - The desk is in the wrong position - The room is too square, and does not appear to be based on any known good ratio - The mids and highs are over-treated - There's insufficient bass trapping overall for such a small room - There seems to be diffusion on the rear wall, but the room is not large enough to be able to use diffusion - That room would have a an excessive bass boost below around 150 Hz - That room would have SBIR problems from both the front and rear walls, and probably also the side walls - The SBIR dip at the mix position will be around 90 Hz and 150 Hz (I can't be more precise because you didn't give exact dimensions) - There would be unevenness in the mid range (frequency and phase), around 400-800 Hz, due to the layout and incorrect treatment - That room would be overly dead but also boomy: too much high absorption, not enough low absorption (typical beginner's mistake) - The decay times would not be consistent across the spectrum - The room would not meet ITU BS.1116-3 specifications for a critical listening room - We do not allow spam on this forum. (Especially ignorant and misleading spam) - Stuart -In the above illustration, you will find the right place for inserting and installing acoustic panels. Pay attention to the entrance and the location of the table.