New Rehearsal Studio Advice Please

Started by salbans on 1 June 2014. 56 replies. In the Library under Walls, floors and ceilings.

Originally posted at johnlsayers.com, topic 19457.

salbans wrote:
any opinions on whether on this kind of space for band rehearsals?
I think you'd be good for a 3-4 piece in there comfortably, but above that it's probably going to get a little squeezy, especially if there's a drum kit. Is it worth making one of the rooms a bit larger to accomodate a bigger band and charge more for the hire of that room?
salbans wrote:
Now that the ceilings are proving to be a potential problem, in this layout would I be spanning the corridor with I stud across corridor and insulating as per all other walls.
this is where it's going to get tricky. Are you planning on beefing up the existing ceiling and then doing a two-leaf system, or are you planning on leaving the existing ceiling 'as is' and doing a three-leaf :shock: system?
salbans wrote:
Q. We are considering adding another layer of OSB to the wall/ceilings so is there a better order to put them: Eg STUD/15mm OSB/12.5mm Drywall/OSB/Drywall
That's some pretty serious construction 8) As for order i'm not 100% sure but alternating them would appear to make sense as it means the resonant frequency will change with each layer of material. Hopefully Stuart can give you some more definite advice on that one, but if you search around the forum you'll find someone has got some info on it.
The sketchup shows a void behind the studios, which looks like a waset of space but Im going to use this for storage and access to rear of studios for servicing etc..
Don't forget that that "void" is actually the "spring" in your MSM system! It is the air-gap between your two leaves that tunes your wall to the right frequency. It is also critically important that it is sealed perfectly: So if you have a door into that "void", as soon as you open the door, you lose all of the isolation to all of the rooms at once! :shock: So that door would need to be very massive, extremely well sealed, and kept locked at all times when the studios are in use. You would only be able to access it when none of the studios are in use. The same applies to the electrical closet: If it is locate inside the air gap, then all of the conduit and wall penetrations will need to be sealed very carefully: You'll have to stuff the end of each and every piece of conduit with mineral wool or fiberglass, then seal the end liberally with caulk, and you'll also need to seal and "mass up" the wall penetrations to match the same surface density as the rest of the leaf. So do be careful when planning to put things inside your wall cavity! It can be done, but takes a lot more care and planning than you might imagine. It often turns out to be "false economy" for the same reason: You need to pay so much attention to detail to get it right, that it would probably easier to put that storage space some other place, and move the electrical panel to a more logical location, or re-arrange the rooms to that it does not end up stuck in a complicated position.
However, do I need to build a wall along the back of the studios or is this void ok as is?
If you wanted to avoid those issues that I outlined above, then yes, you'd have to build a single-leaf wall along the back of the studios, floor to ceiling, just as if it were an outer-leaf.
Anything obvious sticking out here?
As Steve already said: You will doubtless need permits to do this, as well as several inspections along the way, for several different parts. First you'll need some type of overall permit, which will require detailed drawings, and might need to go through several reviews before getting approval. Likely the electrical system will require separate permits and inspections from the framing, structural, and HVAC systems And since this is a commercial facility, it likely needs to comply with additional regulations, such as fire codes, wheelchair access, emergency exits, etc. So you should also budget for the fees of the people that you'll need to hire to get you through all that red tape: At the very least, an architect who knows the ropes and can do the drawings, then walk them through the approval process, plus a qualified structural engineer to check that your design is safe and won't fall down on your head, plus a qualified electrician to do the electrical plans and sign off on the actual electrical installation, plus probably others two. I'm not sure how things work in the UK, but each inspection might also incur a fee, tax, duty or some other expense. So do check out all of those in advance to figure out how much extra you should budget for those: Each individual fee, permit, document, and signature probably isn't that expensive, but by the time you add them all up they can drill a big hole in your pocket... Steve also makes a very good point about insurance: If you don't conform to all the laws and regulations, with all your permits and inspections duly signed off, and then something goes wrong, your insurance won't cover it. even something as stupid as somebody tripping on a step or slipping on the bathroom floor then suing you, will not be covered: you'll be liable for all of that. And if it is something catastrophic, such a a ceiling joist failing and collapsing, injuring several people and damaging their equipment... well, all I can say is that I hope you have a very well padded bank account! :shock: :!: Not getting the right permits and inspections is a major risk, so do make sure that you have all of those in order.
I think I spent longer on sketchup than making the actual desk
Then you did it right! :) :yahoo: Andre has an excellent rule of thumb: building a studio is 80% design and planning, and about 20% actual building. If you break that rule, then you are almost guaranteed of making expensive mistakes, or ending up with major problems, either structurally, acoustically, or functionally. So if your contractor estimates that the actual build will take a month, then you better make darn sure that you spent about five months on planning, design, calculations, drawings, permits, more planning, more design, quoting, checking, etc.
I know I am not sticking to leaf rules (or am I?) with the full length corridor, so Im a bit concerned about that?
Maybe you could mark the actual studio section in a different color, to make it clear which sections of the building need to be isolated, and which don't? It's not clear from your diagram.... And also mark the purpose of each room!
STUD/15mm OSB/12.5mm Drywall/OSB/Drywall
Don't use thin stuff! 12.5mm anything is too thin, too flexible, and too little mass to be good for isolation. Yes, there is a slight advantage to be had by using materials of different thickness, but the advantage is ore than offset by the loss of mass and loss of rigidity (stiffness) from using thin materials. So only ever use drywall or OSB that is at least 16mm, or even thicker if you can find it. Also, I wouldn't put OSB or plywood on top of drywall: the wood layer(s) go first, on the studs, followed by the drywall on the outside. Drywall is not strong, and is brittle: it cracks, crumbles and crushes easily, and you even snap it by hand in order to cut the sheets to the right size, so it can't take any stress, structurally. So it's not a good idea to have very large heavy things attached on top of it, such as thick layers of wood. So if you do want to use that set of materials, then make it OSB - OSB - drywall - drywall. And do consider using at least one layer of Green Glue in there, between two of those layers...
Q. Now that the ceilings are proving to be a potential problem, in this layout would I be spanning the corridor with I stud across corridor and insulating as per all other walls.
Right!
Q. Ive lost the liks to the room mode calculators - can anyone help please?
http://amroc.andymel.eu/ http://www.bobgolds.com/Mode/RoomModes.htm
I have dropped the idea of a performance studio in favour of this layout. It maxes out on income bearing space usage.
That's probably a good move: Spanning those long distances with heavy loads would have required large beams, trusses, joists, etc. = expensive! And it likely would not have been rented out nearly as often as the practice rooms.
The rehearsal spaces will be smaller than originally planned though (16'x17', 16'x13') - 3m high - any opinions on whether on this kind of space for band rehearsals?
Fine for small bands, up to maybe 4 or 5 people, but cramped for anything more. How about if you join two rooms into one at some point, so you have at least one larger room that you can rent out (at a higher rate....). You also seem to have a large empty gap in between two of the rooms: how about extending one (or both) into that area, to make them a bit bigger, even if it means giving it (them) an "L" shape? - Stuart -
Thanks for this Stuart, Im going to look at the electric room and its position. its impossible to move as its a seriously big unit owned ny the electricity company 9its an old electric works building) - uless they agree to move it.
Q. Now that the ceilings are proving to be a potential problem, in this layout would I be spanning the corridor with I stud across corridor and insulating as per all other walls. Right!
Can I just check, after I typed that I noticed that the corridor walls have to go to the ceiling so how would I deal with the corridor as I cant run joists across as I cant get on top of the walls? Suspend a ceiling across (its only 1.5m)?
I know I am not sticking to leaf rules (or am I?) with the full length corridor, so Im a bit concerned about that? Maybe you could mark the actual studio section in a different color, to make it clear which sections of the building need to be isolated, and which don't? It's not clear from your diagram.... And also mark the purpose of each room!
I'll put another drawing up once I work out how to add colour Im going to join those two studios as well (the gap thats showing) to make the bigger studio and also Im going to puck one of the rooms and make it a control room accessible by all of the studios. Even now I reckkon there is a call for recording rehearsals so it could potentially do all of the studios. Q. Its many years since I have run a loom from a control room to a live room - it used to be a xlr box on the wall - is it now running firewire cable? Thanks again, Ben
Hi all, I think I may have resolved the issue Stuart mentioned by building a wall along the underside (bold black) which navigates around the electricity room. This wall also has an office the other side so it makes sense to beef up this side anyway. What isnt clear from the drawing is that all around the studios and school is a brick wall, 9" thick - unfortunately not 100% without issues but pretty good i will seal up where necessary. Of course I have probably created new issues so please let me know if there are any integrity issues on this layout that im missing. Im particularly unsure about how to start the studio space from the receptin area and also same issue in dividing the studio and school area. Assuming the walls are built properly have I positoned them correctly for best practice (isolation wise of course) or am I breaking all the rules as usual? I moved the storage out of the studio space effectively into the corridor - hopefully that works?
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Ceiling Q: Now that its clear that most of the ceiling is effectively boxed plasterboard, about 6" underneath what is effectively a mezzonaine flooring do you have any suggections on how this could be tackled? Its far too large an expanse to realistically add mass to (5,000sqft). The corridors will all have suspended ceilings and treated. I realise that I need to do a dB test to see what level of isolation is required, but common sense tells me off the bat that the ceilings in my studios are going to have to be significant for rehearsals if I want to operate during 9-5 weekdays. Drum kit hitting 115dB is no doubt what I will have to manage here. Assume I will caulk under/around stud, fill every nook and cranny and get the doors, HVAC right (a stretch I know.. :D ) Is 6" insulated stud, 16mm OSB, 16mm OSB, 15mm plasterboard, 15mm Plasterboard (green Glued last layer) going to achieve relative silence above? Also, as the current mez ceiling doesnt represent much of a mass am I in a position to add mass to top of joists on the ceiling - I know it breaks rules so its probably not a good idea? Glue Q: One of the contractors has mentioned gluing the plasterboard with a glue/foam. My insticnt was that this will innevitably have air gaps as the foam wont cover the whole plasterboard. Am I right to dismiss this idea? Thanks, Ben
Heres a sketchup of the latest plan as previos post. Perhaps its easier to give some advice on.
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salbans wrote:
What isnt clear from the drawing is that all around the studios and school is a brick wall, 9" thick - unfortunately not 100% without issues but pretty good i will seal up where necessary.
9" thick brick walls are great! Looking at your exterior photo it looks like there are a lot of windows though. This is where your weak points are. To get the same kind of isolation from the windows as you are getting with the walls you'll need to beef these up significantly.
salbans wrote:
Im particularly unsure about how to start the studio space from the receptin area and also same issue in dividing the studio and school area. Assuming the walls are built properly have I positoned them correctly for best practice (isolation wise of course) or am I breaking all the rules as usual?
It looks like you've got it right there Ben. What you're trying to do is partition off the rehearsal studios from the other areas. A full length wall from brick wall to brick wall is the way to do that.
salbans wrote:
I moved the storage out of the studio space effectively into the corridor - hopefully that works?
don't see why it doesn't.
salbans wrote:
Ceiling Q: Now that its clear that most of the ceiling is effectively boxed plasterboard, about 6" underneath what is effectively a mezzonaine flooring do you have any suggections on how this could be tackled? Its far too large an expanse to realistically add mass to (5,000sqft). The corridors will all have suspended ceilings and treated. I realise that I need to do a dB test to see what level of isolation is required, but common sense tells me off the bat that the ceilings in my studios are going to have to be significant for rehearsals if I want to operate during 9-5 weekdays. Drum kit hitting 115dB is no doubt what I will have to manage here. Assume I will caulk under/around stud, fill every nook and cranny and get the doors, HVAC right (a stretch I know.. :D ) Is 6" insulated stud, 16mm OSB, 16mm OSB, 15mm plasterboard, 15mm Plasterboard (green Glued last layer) going to achieve relative silence above? Also, as the current mez ceiling doesnt represent much of a mass am I in a position to add mass to top of joists on the ceiling - I know it breaks rules so its probably not a good idea?
I don't think you'll get relative silence above with that construction mate. You'll get a hell of a reduction (which i'd like to think would be around 60db), but whether that is enough for someone on the second floor to not complain is another thing entirely. Your existing ceiling is the trouble here. That's your second leaf. And the actual floor of the office above is your third leaf. Is it possible to remove the existing plaster from your ceiling and add mass to the underside of the floor above you? In an ideal world you'll be able to remove the existing plaster from your ceiling, beef up the underside of the floor above with X amount of material, then build your studios below with the 4 layers of material you've mentioned as a single leaf, and insulate between those two leafs. That could maybe get you to 70db isolation which is what it sounds like you're going to need, if not more :shock: .
salbans wrote:
Glue Q: One of the contractors has mentioned gluing the plasterboard with a glue/foam. My insticnt was that this will innevitably have air gaps as the foam wont cover the whole plasterboard. Am I right to dismiss this idea?
Your instinct is good and will serve you well young Skywalker :wink: Be very wary the helpfull tradesmen who give you advice about sound isolation and acoustics if they have not built studios before. Some of the rules and ideas for isolation can be counter intuitive, and advice that is well intentioned yet uniformed has the potential to really cause you trouble. And it's always going to be expensive trouble with a studio build. If you've got a tradesman giving you advice who has built studios before and can take you and show you their work, then fantastic. If not then avoid like the plague.
Thanks Steve,
9" thick brick walls are great! Looking at your exterior photo it looks like there are a lot of windows though. This is where your weak points are. To get the same kind of isolation from the windows as you are getting with the walls you'll need to beef these up significantly.
Thankfully thats just the school end so the noise levels are very minimal & the natural light a bonus. If they prove to be a problem I can secondary glaze them if nec - I wouldnt put a studio down that end for sure without blocking off the windows :D
Your existing ceiling is the trouble here. That's your second leaf. And the actual floor of the office above is your third leaf. Is it possible to remove the existing plaster from your ceiling and add mass to the underside of the floor above you?
I'm going to look at this properly tomorrow. Im now starting to think we should build the studios out of concrete block and use 12" joists to effectively seal and give me my second leaf above (I know the original ceiling would effectively be a 3rd leaf but its so pathetic Im thinking I am still better off adding mass to ceiling, 12" gap (joists with insulation) and then mass to top of joists. So, I guess the big Q here is given how pathetic the current ceiling is, am I comletely breaking the rules by doing as described above - in particular am I asking for trouble? - expense aside. TThanks, Ben