I recently put together a new mix room and I'm about to add some more acoustic treatment over what is already in place. There are lots of people on this forum with far more knowledge and experience than me, so it would be great to get some advice. I've read lots of similar threads and I've tried to save time by gathering as much relevant information as possible. So apologies for the long post, but hopefully it should save some of the normal starter questions. Please chip in with any ideas, thanks!
The biggest problem I can easily hear in the listening position is a bass null, in and around 100Hz, this is the main area that I'm hoping to improve. I'm realistic about what's possible in a room of these dimensions, and the compromises that have to be made to maintain the ergonomics and aesthetic of the room... The ergonomics of the room work well, so the furniture will stay in place, but there's lots of bare wall space to work with, so I should be able to make some improvements. I'll be doing the work myself, I'm experienced with carpentry so construction with wood will be no problem, and I can have metal cut for me locally if perforated steel sheets etc are an option.
What I need to achieve to increase bass in listening position:
- Choose the most suitable type of traps to place around the room (perforated panel / broadband / membrane etc)
- Choose the most suitable dimensions of traps (I can potentially have deeper traps than shown on the proposed diagram below)
My initial thoughts - perforated panels seem like a sensible option, membranes seem to have a too small margin for error for a DIY setting and broadband traps will compromise higher frequencies. I have been reading the BBC documents on low frequency absorbers and they seem to have had good success with perforated panel designs...
I will outline details of the room and the testing I have done so far...
The dimensions of the room are 5.5m long x 4.1m wide x 2.6m high. The layout of the furniture in the room is shown in the floor plan below.
The treatment already in place is a 10cm layer of rockwall across all the front wall, a big superchunk bridging the ceiling and front wall, and a corner trap from table to ceiling in the rear left corner. These are covered in acoustic fabric, and will be staying, but I can remove fabric to add a membrane or perforated panel between the rockwool and fabric if needed.
The current treatment is shown in green on the floor plan. The available positions currently free for further treatment are shown in yellow:
External image, not preserved — original: http://i1222.photobucket.com/albums/dd498/e3stryder/john%20sayers%20post/Pic1ControlRoomlayoutA_1.jpg
External image, not preserved — original: http://i1222.photobucket.com/albums/dd498/e3stryder/john%20sayers%20post/Pic1ControlRoomlayoutB_1.jpg
Here is a waterfall plot at the listening position using both speakers: This was after lots of experimenting with moving the speakers around to find the best position and minimise SBIR issues. It shows approximately a 15db null around 100hz and around 60hz.
External image, not preserved — original: http://i1222.photobucket.com/albums/dd498/e3stryder/john%20sayers%20post/originalbothpluscementbags2.jpg
The modes of the room are shown below:
External image, not preserved — original: http://i1222.photobucket.com/albums/dd498/e3stryder/john%20sayers%20post/Pic2modesA.jpg
I calculated the first cancellation frequency for each surface using right speaker only:
External image, not preserved — original: http://i1222.photobucket.com/albums/dd498/e3stryder/Pic12wallbounceB.jpg
I moved the test mic in different directions around the listening position, one axis at a time, to try to understand which directions are causing the cancellations. I plotted graphs of the best & worst responses for each axis. Here is the graph when moving the mic in the up / down axis: (showing a big change at problem frequencies)
External image, not preserved — original: http://i1222.photobucket.com/albums/dd498/e3stryder/john%20sayers%20post/bottomtopbestworst.jpg
Here is the graph when moving the mic in the front / back axis: (showing not much change at problem frequencies)
External image, not preserved — original: http://i1222.photobucket.com/albums/dd498/e3stryder/john%20sayers%20post/frontbackbestworst.jpg
Here is the graph when moving the mic in the left / right axis: (showing a big change at problem frequencies)
External image, not preserved — original: http://i1222.photobucket.com/albums/dd498/e3stryder/john%20sayers%20post/rightleftbestworst-1.jpg
My interpretation of the above graphs would suggest that treatment on the faces of the front/back axis would have little effect in comparison to treatment on the faces of the left/right and up/down axis - which goes against the common solution of bass trapping on the back wall... anyone have any other interpretations?
If this is true then the side traps at the first reflection points and the cloud above the listening position are the traps that could have the greatest effect on improving the bass nulls. Any ideas of types of traps and dimensions of traps for these locations?
Any help, thoughts or ideas are really appreciated - thanks!