Acoustic Treatment - Advice Wanted

Started by JJ Styles on 20 October 2010. 2 replies.

Originally posted at johnlsayers.com, topic 14968.

I've attached a sketch of how I propose to treat my control room and vocal booth. Internal room dimensions are 5.29m (l) x 2.10m (w) in the control room (back wall is 2.55m (w)) and 1.87m (l) x 2.10m (w) in the vocal booth. The roof is 2.4m high in both rooms. Treatment in the control is: - superchunks in all four corners - mid/high absorbers at the early reflection points (walls and above desk) - mid/high absorbers along roof above listening positioning - mid/high absorbers on rear wall and above sofa's at rear of room - deep bass absorbers at rear of room (parellel walls) next to superchunks (floor to ceiling) - mid/high absorbers next to the deep bass absorbers on parallel walls at rear of room - hi bass absorber on wall opposite entrance to studio Treatment in vocal booth is: - superchunks in front corners - mid/high absorbers on side walls - mid high absorber above mic position - nothing on rear walls Can anybody tell me if this looks alright?
Image not preserved: Studio Acoustic Plan.jpg
agreed. plus with this approach you can add additional absorption if you need it. like a heavy drape for the sliders that you can pull over when needed (1 in the CR, 1 in the booth far slider) to cut reflections off the glass.