Room Test

Started by Felix Hoo on 6 May 2009. 21 replies. In the Library under Measurement and tools.

Originally posted at johnlsayers.com, topic 12579.

Hi, I just did a sine wave test for my room with Fuzz Measure. And I got a pretty graph (as shown below). But I was wondering at what dB level I should use as the reference point for judging how flat my monitors are at the mix position? Do I just pick the part of the graph that is the most flat and use that as the reference? Thanks.
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This is always a problem when the response varies so much. I believe the "standard" (if there really is one) is to reference everything to 1 KHz. --Ethan
Hi Ethan, Great to have you here! Yeah, it seems that you are right. I ran another test today and I got a flatter graph this time. Im using a pair of Alesis MK1 mk2 and my room is untreated, which probably explains the irregularities. Im going have some treatment to my room and run through the test again. I also ran the test through my Yamahas MSP3 and I was surprised to find that it was more regular on the whole as compared to my Alesis. Alesis
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Yamahas
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Hi. I allready built some traps and treated my control room I need to do some tests and have some graphics. Wich software did you use for having yours? What are the guide lines for doing the tests? Sweep tone? White noise? at wich SPL should it be calibrated using an SPL level meter? I did (patiently) the room tests with the tones provided by Ethan in his web site and have a graph that looks like the Colorado Canyon. i want to campare this graph with one generated by a software. Thanks. Ed.
Thanks a lot Ethan. I've been a reader of your articles and they are great. I did very carefully the test with the cd tones you give in your web site. I printed the graph and now I can see the curve response of my control room. I understand that, in order to tame some boosted frequencies, I can build and put bass traps (panel trap or hanger not broadband). I have a big boost at 130Hz (wich makes the kick sound great by the way) but I know I need to lower it a little because it will make my mixes sound bad out of the studio. I guess that some bass trapping especially tuned for that frequency (and its harmonics) has to be build. My concern is about the nulls, because I have a big null at 100Hz, then the boost at 130Hz. What can be done with this great decrease in 100Hz? I cannot change the shape of my control room, will I have to live with it? This is a topic from another forum user and I'm discussing my personal situation, not helping him. If this is a problem I will post my own topic. I apologyse if this is causing you trouble. If not, great, we all learn from each other. Thanks a lot Ed.
pcmusicpro: I used Fuzzmeasure, sweep sine test. The software pretty much does the thing for you. Ethan: Yeah I was also wondering if there is any performance difference between doing the sweep sine test manually as opposed to Fuzzmeasure? Cos the longest time setting for Fuzzmeasure to sweeps the whole frequency range is just 45 secs.
pcmusicpro wrote:
What can be done with this great decrease in 100Hz?
Bass traps my friend, bass traps. 8) --Ethan
Felix Hoo wrote:
I was also wondering if there is any performance difference between doing the sweep sine test manually as opposed to Fuzzmeasure?
A manual sine wave sweep shows only the raw frequency response. Software like FuzzMeasure also shows decay times and much more. Software also does it all in five seconds, versus manually plotting a few hundred test tones one by one. Test tones are intended only for people that have no way to connect a computer to their audio system. --Ethan
Thanks. I guess I will build some panel bass traps and do some sofware test in deep.
Check out Room EQ wizard's site. It looks like they have a version for Mac OS X.
Thanks J bursch. I am about to run some tests, Im wondering If I should wait till it stops raining? will the noise of the rain interfere? its very quiet. hmmm
is there anyway to run a test without an SPL meter? I dont really have 50$ To throw down on a meter. I need every $ I can get for absorption.
is there anyway to run a test without an SPL meter? I dont really have 50$ To throw down on a meter.
You can't really test full spectrum room response with just an SPL meter! You need a spectrum analyzer for that, and they sure don't cost US$ 50! Mine cost about US$ 400, and it only does 1/3 octave, which isn't good enough for a studio. Use your DAW! It has everything you need to do a full and accurate analysis. If you don't want to buy ETF, and don't want to install Room EQ Wizard for free, then you can follow Ethan's instructions (on his web site) to get a good idea of basic room response with his simple method. - Stuart -
Soundman2020 wrote:
is there anyway to run a test without an SPL meter? I dont really have 50$ To throw down on a meter.
You can't really test full spectrum room response with just an SPL meter! You need a spectrum analyzer for that, and they sure don't cost US$ 50! Mine cost about US$ 400, and it only does 1/3 octave, which isn't good enough for a studio. Use your DAW! It has everything you need to do a full and accurate analysis. If you don't want to buy ETF, and don't want to install Room EQ Wizard for free, then you can follow Ethan's instructions (on his web site) to get a good idea of basic room response with his simple method. - Stuart -
you misunderstood me, what I meant is that room EQ wizard requires me to use an external SPL meter. It says that in the documentation you need to calibrate room eq wizard with an external spl meter. I tried the demo of fuzzmeasure...it doesnt say anything about SPL calibration...but I read that an sm57 or 58 wont do the job for taking a reading...which is all I have at the moment. Ive tried fuzzmeasure but I get a different graph response every time...when the mic is in the same place...weird. I also cant get the waterfall graphs to work...
Ahhhh! Ok, now I get what you are saying! But AFAIK the SPL calibration is only so that the scales displayed on the graphs are accurate. So even if you don't do that you should still get curves that represent what is happening in your room, even if the dB scale marked on the graph axis isn't correct. You'll get good relative readings, but not absolute readings. You'll still be able to see peaks and dips, but you just won't know what absolute levels they are at.
but I read that an sm57 or 58 wont do the job for taking a reading...
True, because the response curves on those mics are not flat. The SM58 has a 5dB presence boost from 2kHz. to 10kHz. which is good for vocals, plus a de-essing dip at around 7.5 kHz., and the bass end rolls off 8 dB from 120 Hz down to 50 Hz, which is good for reducing handling noise. (That's what makes it reasonably good mic for live vocals and touring). So it won't give you an accurate representation of your actual room response. At least, it won't do so directly... However, if that's all you have, and you just want ballpark graphs without being too concerned about precision, then you can still use it to a certain extent, at least to get a rough idea of what is happening. Just compare your room graphs with the response curve published by Sure for the SM58, and kind of mentally subtract the mic curve from the room curve. The presence boost probably won't even be much of an issue (since you'll be more concerned about lows than highs for your room), but the bass roll off will be, and below 50 Hz. you won't get much useful data at all. So if that's all that you have available to measure with, and you just want to get a general overall picture of where your problems might be, then you CAN use it, but recognizing that it won't be very accurate. It might still be good enough to give you a rough idea. I do a lot of sound for live events, and I've used an SM58 once or twice in a pinch to EQ sound systems. For that kind of thing, it's plenty good enough, as long as you compensate for the mic itself. But here's a point you might want to consider: Some SPL meters also have a direct output jack that comes direct from the measurement mic on the unit itself, and that mic is pretty accurate! So your fifty bucks will not only get you an SPL meter: it will also get you the a measurement mic.... :) Not all meters have the direct out jack, but some do. So check around. - Stuart -
thanks for the great response! I appreciate it a lot! cheers :D
Ok can do with some help. Just trying to get the best effect for the limited resource that I got. I got myself 6 x (2' x 4', x4") rockwool... A) So should I 1) Treat my controls first 2) Treat the whole front wall to have a dead front live back arrangement 3) Treat the whole back wall B) I also already had the first reflection points treated with 2" acoustic foam. Seemed to have help stereo imaging a little but measurements did not suggest an improvement in the mid and high frequency. When I clap there is still that echo reflection. So should I be treating the second reflections points? C) Is it important to have a cloud hanging between my speakers and me? My room dimensions are: 14.2' X 12.2' X 8' Thanks.
Treat the whole front wall to have a dead front live back arrangement
LEDE rooms seem to be out of style these days. RFZ seems to be the way to go. I think I'd put some of your panels on the front wall, directly behind the speakers, some on the rear wall to control reflections, and some on the first reflection point that you forgot.... :)
C) Is it important to have a cloud hanging between my speakers and me?
Yup, that's the first reflection point that you forgot! The ceiling also has a first reflection point, just like the walls and that's where you need your cloud.
My room dimensions are: 14.2' X 12.2' X 8'
That gives yo a room ratio of 1 : 1.52 : 1.75. That's not a known good ratio, but it doesn't seem to be too bad either. - Stuart -
Ok I got a bit confused.... By treating first reflection points, thats for the mids and highs right? How abt bass, how would you go about doing it?
How abt bass, how would you go about doing it?
Large, deep superchunk traps in the corners. Or hangers. Search this forum for "superchunk" and you'll find many different ways of making them. They good thing about them is that they are effective, easy to build and relatively cheap. They need to be large, and thick, and they need to be in the corners for maximum effect. There are 12 corners in a normal rectangular room: treat as many as you can. Small rooms need lots of bass trapping. - Stuart -