Any thoughts or critiques on these control room treatments? I found a great local place to get 1" 703 for about $.44 PSF, I ordered about 1100 Sf to get started on treatments.
Jim.
Major Minor Studios is all Built. Time for treatments
Originally posted at johnlsayers.com, topic 10449.
anyway to push that amp rack back a few feet and cover that spot on the wall with 2" absorption? maybe a bit of 2" on the side of the amp rack closest to the desk. i'd also beef up the cloud to 4".
The amp rack is just a frame with no backing so do you think I could just move it a few inches off of the wall and hang the absorber behind it? I'll beef up those clouds too for sure.
-Jim.
Live/Drum Room treatments to follow.
i more concerned about diffraction off the corner just a couple of feet from your head. maybe a small strip of 2" absorber on the corner?
This is my thought for the control room treatments. I have hardwood floors and 9' ceilings. The wall construction is double drywall with green glue on RC channels. As is the room really contains sound well but as you can imagine the slap echo is crazy, so I was shooting for keeping it a more live room by using panel absorbers (ala SAE) and slat resonators to break up the parallel walls and tame the Bass while still keeping it live. any feedback would be greatly appreciated as always. Also I'm looking for some suggestions on cloud placement too.
Jim
Major Minor Studios
any feedback on the live room?
looks like a decent plan for the live room.
any ideas on how to improve? placement of clouds, etc.?
My first plan of attack would be to put a cloud above the drum kit area to stop the floor to ceiling reflections with your hardwood floor.