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How to lay it out
Posted: Fri Jul 25, 2003 12:37 am
by cfuehrer
Hello, I am brand new to this forum and excited that I found it!
I am looking at a space for a studio that is about 20'x25' (6.1x7.6 meters). I want to at least get a control room with a rack bank behind the mix position and a couch (if they will fit, the rack could go off to one side if needed), tracking room, vocal booth and at least a 5'x5' (1.5x1.5 meter) storage room. I plan on using nearfield monitors so soffit mounts are not required. If it could handle another iso room (for amps) I would love it, but if I can't make it happen in this space, so be it. Please let me know what you think and what the best layout would be. Thanks allot!
Posted: Fri Jul 25, 2003 9:08 am
by cfuehrer
Anyone? No one has any ideas?

Posted: Fri Jul 25, 2003 10:11 am
by knightfly
Carl, sometimes it takes a while - John, Thomas and I all have "day gigs", John is in Australia, Thomas in San Francisco, and I'm in Oregon, so there are time differences as to when we get to posts.
In the meantime, have you checked out the SAE site and other resources already in place? click on the logo at the upper right of the page, and go where your rodent takes you, there's a lot of info on the site already.
For starters, you might check out the "Corner Control room" plan here -
http://www.saecollege.de/reference_mate ... /Plans.htm
that's just a small part of the wealth of info at the SAE site - there are also lots of pix of studios in progress at some of the other sites listed under that upper right page logo at the top of this page.
That particular Corner Control room drawing could be scaled to fit a 20 x 25 area pretty easily, with some of the areas changed to fit your needs.
I'm sure John, our design wizard, will join in soon, meantime have a look around... Steve
Posted: Fri Jul 25, 2003 12:59 pm
by John Sayers
I agree with steve. chewck out the corner control room design at SAE and get back to us
cheers
john
Posted: Sat Jul 26, 2003 5:17 am
by cfuehrer
I like the concept of it allot, but the problem I have with the corner control room is that I don't feel I would have enough space in the control room for the rack bank, even if it was off to the side, and a full length couch and maybe a small end table on either side. From playing with the layout I would have an 8'x8' room, barley enough for my gear and desks. I would like to have some sort of seating area in the control room.
The image is the very first idea I had for the room. I think I made it 25'x25' by accident. PLEASE HELP!
Posted: Sat Jul 26, 2003 10:30 am
by knightfly
Carl, you're running into the main conundrum we all do - your layout would work well ergonomically, but acoustically it would be a disaster. You need a symmetrical mix position, with early reflections controlled at the mix position. We'll need to spend some time on this, and unfortunately I'm off to the "DDJ" - (Dreaded Day Job) - If John doesn't get a chance to work his usual magic first, I'll give it a try after I get some sleep tomorrow morning.
Have patience - there's a lot to consider in something like this so you don't regret rushing... Steve
Posted: Sat Jul 26, 2003 10:46 am
by John Sayers
check out this thread where we discussed a 20 x 20 room before.
http://johnlsayers.com/phpBB2/viewtopic ... 66&start=0
cheers
john
Posted: Sat Jul 26, 2003 11:11 am
by cfuehrer
I like the control room and iso booth layouts for the 20x20 areas. I need a bigger space for a tracking room. Something more along the lines of a 12x20.
Posted: Sat Jul 26, 2003 11:22 am
by John Sayers
like this then??
cheers
john
Posted: Sat Jul 26, 2003 11:44 am
by cfuehrer
That could really work. What are the demesions of the control room? How would you set it up with out the soffit mounted speaker and where could I locate my 3 bay rack? What about moving the console up a foot off the front wall? Would that give enough room for the rack? I think the rack is about 20-24" deep.
Posted: Sat Jul 26, 2003 2:51 pm
by cfuehrer
How about something like this?
Posted: Sat Jul 26, 2003 3:55 pm
by John Sayers
Sure - but you are crazy if you don't build the soffit mount IMO
cheers
john
Posted: Sat Jul 26, 2003 4:48 pm
by cfuehrer
Do you mean just the soffits in front themselves for acoustic purposes, or for speakers? I don't plan on running anything larger than nearfields in the room. Please explain the purpose of the soffits and why they are important so I can understand your idea better. How would you design them into the room as I have it laid out?
Also can you point me in the right direction for the sliding glass doors? Like a vendor or specifics I should look for? in the dead area between the control room and live room, would you fill the void with insulation?
I really appeciate all of the help!!
Posted: Sat Jul 26, 2003 10:12 pm
by giles117
Can I have this one John....
I was a wonderer too about soffits. They look nice, but what is the purpose for nearfields, isn;t that against the reason these things were made....
Well...............
I built soffits to mount my Mackie 824's.. Now of course because of the angle of the soffits, there is some reflective benefit. and Because of how the lower half of the soffit is constructed. With room for hanging bass traps, etc... again there is an acoustical benefit.
But.......
Most importantly, it GREATLY improves the sound of your speakers and how they couple with the acoustics of the room.
I mixed my wifes album prior to building my room.
http://artists.mp3s.com/artists/591/kristal.html
(Not a sales pitch, but you can hear the samples. And hear what I got without a good room.
This week, I remixed the 1st track on the album in my new room with soffit mounted Mackies....
Email if you'd like to get a copy of the remixed file to compare with the old file. (mp3) or AAC
giles117@ameritech.net
I have better presence in the mix, and whoa.... The mix is more spacious sounding as well as more dynamic. Because I could finally hear this stuff.
I am no acoustician, just an Engineer who has receive his 2nd Gold record this year for mixing.
YOU WANT TO Soffit mount your speakers. It is worth the sacrifice of a big window. I am installing a 24x27" Window in my studio when we start the live room next week. The window is so secondary to being able to get GREAT mixes without going to Joe Blows $125/hr spot to mix.
Thanks to John, Barefoot, Knightfly and Eric Desart. These Guys know their stuff. They may contradict one another sat times, so you have to hear theory and balance it with practicality, but John is the Man.
SOFFIT MOUNT THE speakers.... TRUST ME.....
Bryan Giles
Posted: Sat Jul 26, 2003 10:38 pm
by cfuehrer
giles117 wrote:YOU WANT TO Soffit mount your speakers. It is worth the sacrifice of a big window.
It's not the window I am concerned about. The distance from me to the soffit speakers just doesn't seem to make sense to me and seems like a waste of needed space when I am just using nearfields. Plus the desk I will be using is designed to support a set speakers.
I understand that the soffits could help make the sound of the room, but for some reason I can't get past this hangup. I have always considered soffit speakers as just a way to blast music loud enough for people sitting behind you can hear better. Like if I was using a speaker with a 12" or 15" sub in them. Seems like overkill for my 8" Events 20/20BAS or possible Genelecs 1031s. Please correct me or explain to me if I am still not understanding. How would you work them into my design? Is there a specific height they should be at? I worry about having to angle then down towards me that I might not get it right. This room is like my baby and I am being very worried about it. The design is relying on a lot of help from you gracious guys since I have no budget for an architect or designer.
You input is VERY welcomed and needed!