Thin unsealed panel over bass absorber to reflect high end?
Posted: Sat Oct 22, 2005 8:05 am
Hello, first of all, thanks for such a great forum -- I have learned a ton reading on this site!
I'm a renter, and I recently moved into a house with a larger space for my studio (still rented, though.) I'm having some issues with the acoustics in my tracking room area (see diagram.)
I just installed a false ceiling with 4" 703 spaced 4" from the ceiling. That in itself has made the room a little too dead in the high frequencies, but I still have some low frequency modes causing dips and peaks. Putting 703 in the corners does a decent job of taking care of this issue, but there's also some flutter echo between the two long walls. Putting a few panels of 703 on one wall takes care of that too, but then all my high end is completely gone.
Since my space is rented, I can't do much with construction, although I'm good at creating low-impact false ceilings and free-standing treatments. I'm looking to make things that can be used in any future room I may have, rather than treatments specifically tailored towards this one, so I don't think making tuned bass traps would be a good idea. Helmholtz resonators seem interesting, but I definitely need to treat lower frequencies than those work on, although I might make some after I get the bass sorted out.
What it seems like I need are treatments that reflect or diffuse the high end, and absorb a large chunk of the bass range.
So, Question #1: If I put a layer of thin plywood (1/8"?) under the false ceiling, but in such a way that it's not sealed so it's not acting as an extra leaf or a complete ceiling, would that still keep the ceiling working as a low and midrange absorber but reflect some high end? I'm thinking of maybe creating a checkerboard pattern so half the ceiling is cloth-wrapped 703 and the other half has a plywood facing over the 703. (So, in those plywood covered spots it would become, from floor up: 1/8" plywood > 4" 703 > 4" air gap > existing ceiling.) Will the plywood let enough of the lows and midrange pass through so the 703 can work as it has been on those frequencies?
(Similar) Question #2: If the concept in the 1st question would work, how about this one? I marked an area on the diagram as a proposed new wall. What I'm thinking is thin plywood again, run from the floor up to where the false ceiling starts but not up to the actual ceiling. Therefore, it wouldn't be a sealed wall, so it wouldn't be acting as a new leaf (right?) or a panel trap, but would just be to reflect some highs and break up flutter echoes. I'd put 703 in the corner behind the wall as a bass trap and possibly along the length of the wall as well.
(Theoretical) Question #3: I guess from my other questions it's clear that I'm a little confused as to what the difference is between a wall that reflects all frequencies and a reflective surface that reflects a certain upper frequency range and lets lower frequencies pass. On one hand there 703 with a facing, which reflects highs and passes almost everything else. On the other hand I guess would be a massive solid concrete wall that reflects everything down to 20Hz and beyond.
What I'm interested in is what's in-between those two -- is there a formula that will tell me what frequencies a given density of material will reflect and which it will pass (like 1/8" plywood in the questions above?) And, am I right in thinking that if a material is thin enough to not reflect bass frequencies, does that mean that whatever trap is behind it will work on the bass frequencies as if the material wasn't in front of it?
Thanks very much for your help!
I'm a renter, and I recently moved into a house with a larger space for my studio (still rented, though.) I'm having some issues with the acoustics in my tracking room area (see diagram.)
I just installed a false ceiling with 4" 703 spaced 4" from the ceiling. That in itself has made the room a little too dead in the high frequencies, but I still have some low frequency modes causing dips and peaks. Putting 703 in the corners does a decent job of taking care of this issue, but there's also some flutter echo between the two long walls. Putting a few panels of 703 on one wall takes care of that too, but then all my high end is completely gone.
Since my space is rented, I can't do much with construction, although I'm good at creating low-impact false ceilings and free-standing treatments. I'm looking to make things that can be used in any future room I may have, rather than treatments specifically tailored towards this one, so I don't think making tuned bass traps would be a good idea. Helmholtz resonators seem interesting, but I definitely need to treat lower frequencies than those work on, although I might make some after I get the bass sorted out.
What it seems like I need are treatments that reflect or diffuse the high end, and absorb a large chunk of the bass range.
So, Question #1: If I put a layer of thin plywood (1/8"?) under the false ceiling, but in such a way that it's not sealed so it's not acting as an extra leaf or a complete ceiling, would that still keep the ceiling working as a low and midrange absorber but reflect some high end? I'm thinking of maybe creating a checkerboard pattern so half the ceiling is cloth-wrapped 703 and the other half has a plywood facing over the 703. (So, in those plywood covered spots it would become, from floor up: 1/8" plywood > 4" 703 > 4" air gap > existing ceiling.) Will the plywood let enough of the lows and midrange pass through so the 703 can work as it has been on those frequencies?
(Similar) Question #2: If the concept in the 1st question would work, how about this one? I marked an area on the diagram as a proposed new wall. What I'm thinking is thin plywood again, run from the floor up to where the false ceiling starts but not up to the actual ceiling. Therefore, it wouldn't be a sealed wall, so it wouldn't be acting as a new leaf (right?) or a panel trap, but would just be to reflect some highs and break up flutter echoes. I'd put 703 in the corner behind the wall as a bass trap and possibly along the length of the wall as well.
(Theoretical) Question #3: I guess from my other questions it's clear that I'm a little confused as to what the difference is between a wall that reflects all frequencies and a reflective surface that reflects a certain upper frequency range and lets lower frequencies pass. On one hand there 703 with a facing, which reflects highs and passes almost everything else. On the other hand I guess would be a massive solid concrete wall that reflects everything down to 20Hz and beyond.
What I'm interested in is what's in-between those two -- is there a formula that will tell me what frequencies a given density of material will reflect and which it will pass (like 1/8" plywood in the questions above?) And, am I right in thinking that if a material is thin enough to not reflect bass frequencies, does that mean that whatever trap is behind it will work on the bass frequencies as if the material wasn't in front of it?
Thanks very much for your help!