Small vocal room treatment options
Posted: Wed Feb 10, 2021 9:11 am
I've just completed building a small 'soundproof' room for recording vocals (and occasional guitar practice).
Given I'm monitoring through headphones and only recording vocals, I'm looking at what sort of treatment I should do within the room.
It's a 5-sided room with the dimensions attached. Ceiling is 2400mm H. Oops, got he door swinging wrong way in the pic- it opens from wall A!
Wall E is a solid block wall and the rest are double plasterboard, both sides, floor is concrete.
When recording vox, I can face any direction but probably somewhere near the middle facing wall B is best. BTW, I mainly use an SM57, sometimes 58
I've done quite a bit of research on room treatment but it's often geared towards mixing rooms, practice rooms, etc. When it comes to vocal booths, lots of foam coverage is often recommended.
I realise it's probably best to deaden the room quite alot but I'd like to know if building several absorbers (have quite a bit of leftover insulation, timber, etc) would be a good option....mainly at the reflection points ie wall A,B,C?
I was also thinking of a tall bass trap for the A-B corner and perhaps at the D-E corner but not sure how necessary for vocals.
I know it's hard to say without proper room measurements, but I'm just after an idea of where I should head with this so I can work out what sort of materials I'd need, or already have and rough costs.
Given I'm monitoring through headphones and only recording vocals, I'm looking at what sort of treatment I should do within the room.
It's a 5-sided room with the dimensions attached. Ceiling is 2400mm H. Oops, got he door swinging wrong way in the pic- it opens from wall A!
Wall E is a solid block wall and the rest are double plasterboard, both sides, floor is concrete.
When recording vox, I can face any direction but probably somewhere near the middle facing wall B is best. BTW, I mainly use an SM57, sometimes 58
I've done quite a bit of research on room treatment but it's often geared towards mixing rooms, practice rooms, etc. When it comes to vocal booths, lots of foam coverage is often recommended.
I realise it's probably best to deaden the room quite alot but I'd like to know if building several absorbers (have quite a bit of leftover insulation, timber, etc) would be a good option....mainly at the reflection points ie wall A,B,C?
I was also thinking of a tall bass trap for the A-B corner and perhaps at the D-E corner but not sure how necessary for vocals.
I know it's hard to say without proper room measurements, but I'm just after an idea of where I should head with this so I can work out what sort of materials I'd need, or already have and rough costs.