Design for Garage Studio (hybrid one room/separate)
Posted: Sat Nov 21, 2020 8:29 am
Hey all. I know, I'm probably posting too early in the process (for example, I bought Rod Gervais book, but haven't actually read it yet. Just arrived today actually). But, here is the project I'm planning:
I'm converting a two car garage into a recording studio. Currently, the garage is 24'x26.6' (interior of framing dimensions), with 2x4 framing and a hip roof (which is 8'8" from concrete slab to the bottom of the roof rafters. So far, I could just use the search function to design the studio, which I have extensively. The question that I have is kind of specific: I have read, on other forums, people raving about the benefits of a one-room studio. Such as: Workflow, being connected/face to face with the artists, avoiding the disconnect of a talk-back system, and general comfort for both musicians and engineer. This is very appealing to me.
I've also read the acoustic design experts saying that this is a terrible idea, acoustically. Live rooms and control rooms need very different acoustics and treatment, and it is impossible to have both in one room.
I want both. I want to have my cake and eat it too. I'm picturing two separate rooms, both treated and designed for their purposes, with two giant sliding barn doors between them. These doors can be heavy, have acoustic treatment attached to them etc. When tracking, they will be open. So the live room dimensions will need to take into consideration the control room. When mixing, they will be closed, to allow for flat, even, predictable response from control room.
I'll be building a "room within a room." Inner and outer leaf. I'll read Rod's book, I promise.
So my question is, can you give me advice on the size of each of these rooms? I could get away with 9' ceilings, if I used 23x23 as my dimensions, or had a small angled section (only 4" or so, from 8'8 to 9'). Probably a little more when taking into consideration layers of drywall.
I'll be using this for recording my own music (folk, soul, jazz), and some hiring out to others. Will not be recording anything too crazy loud. Drum kit for soul stuff. Will mostly be recording acoustic music. Any advice would be much appreciated! I have thick skin, so I can handle the condescending "poor newbie" jokes as much as that interests you! Ha. But I'd also LOVE some real help to go along with it.
It will also be used for an after school music/recording program for at-risk youth. I'll have to lock up the expensive stuff.
Thanks in advance!
Roy Goodale
I'm converting a two car garage into a recording studio. Currently, the garage is 24'x26.6' (interior of framing dimensions), with 2x4 framing and a hip roof (which is 8'8" from concrete slab to the bottom of the roof rafters. So far, I could just use the search function to design the studio, which I have extensively. The question that I have is kind of specific: I have read, on other forums, people raving about the benefits of a one-room studio. Such as: Workflow, being connected/face to face with the artists, avoiding the disconnect of a talk-back system, and general comfort for both musicians and engineer. This is very appealing to me.
I've also read the acoustic design experts saying that this is a terrible idea, acoustically. Live rooms and control rooms need very different acoustics and treatment, and it is impossible to have both in one room.
I want both. I want to have my cake and eat it too. I'm picturing two separate rooms, both treated and designed for their purposes, with two giant sliding barn doors between them. These doors can be heavy, have acoustic treatment attached to them etc. When tracking, they will be open. So the live room dimensions will need to take into consideration the control room. When mixing, they will be closed, to allow for flat, even, predictable response from control room.
I'll be building a "room within a room." Inner and outer leaf. I'll read Rod's book, I promise.
So my question is, can you give me advice on the size of each of these rooms? I could get away with 9' ceilings, if I used 23x23 as my dimensions, or had a small angled section (only 4" or so, from 8'8 to 9'). Probably a little more when taking into consideration layers of drywall.
I'll be using this for recording my own music (folk, soul, jazz), and some hiring out to others. Will not be recording anything too crazy loud. Drum kit for soul stuff. Will mostly be recording acoustic music. Any advice would be much appreciated! I have thick skin, so I can handle the condescending "poor newbie" jokes as much as that interests you! Ha. But I'd also LOVE some real help to go along with it.
It will also be used for an after school music/recording program for at-risk youth. I'll have to lock up the expensive stuff.
Thanks in advance!
Roy Goodale