The laws of Physics no longer apply!
Posted: Mon May 25, 2020 11:49 pm
OK, now that I have your attention , I have recently engaged consultancy for my studio build from someone who claims to have built more studios than anyone living. Further, upon investigation, his CV stacks up, and includes TV stations, radio stations, auditoriums, post houses as well as recording studios of all sizes. The dude is a heavy weight, and his designs and advice is almost impossible to dismiss.
... Except for the fact that his methods turn much of the accepted practice in Studio building upside down!!!
What could be so controversial, you say? OK, let me start by saying that after consulting with several other designers and engineers, it became apparent that in order to achieve desired attenuation of drums and bass through a floor (125mm concrete) so I don't disturb office neighbours beneath me, I needed 100mm floated concrete over a 100mm insulation filled gap supported by carefully engineered rubber or spring mounts.
On top of this floated floor would be walls and ceiling of around 80kg/m2.
Mass / Spring / Mass. All the books, all the historical tests and data, all the forum experts, and all the experienced studio designers, all agree this is unavoidable if you want anything near the 70 db transmission loss down needed.
Enter the the old school guru, who turns up his nose at all this overkill nonsense. ""You simply do not need that much mass, it's all BS! " He says. And what replaces Mass? Much larger gaps? No,you don't need 100mm gaps, 20mm is enough! ...
So what's his secret? Well, basically, it all about Stiffness. Yep, we know that stiffness has always been considered important for low frequencies, but we have been taught that only for LF below the resonant frequency of the cavity system, or the fmam.
Concrete? No, particle board! 1 x 19mm and 1 x 25mm. For floor, walls and ceiling. 60mm air gap for the floor, and 20mm air gap for walls and ceiling. Insulation density of 60kg/m3. Are you worried about resonances ? No, the insulation gets rid of it. 600mm centres? No! 450mm (more stiff!).
What if the room does not effectively isolate drums or bass after it has been built?
Vey unlikely he says, but in an extreme case, you would simply add another floating floor on top of the first one. 2 piggy backed identical cavities? 3 leaf effect? Nope. What about the isolation mounts deflection, all the extra weight of the added floating floor will surely flatten out the mounts so they no longer float?
No problem if you use the right kind of rubber...
... I know... that's how I reacted too. Problem is, he's been designing places for 40 years, ONE THOUSAND of them! No failures. I rang up a number of them. All owners expressed reverence and awe. "Just do what he says" they all said.
So, suddenly I'm in a parallel universe, or a Twilight Zone episode. A new time and place where the laws of Physics as I knew them no longer apply.
Test data? No, he hasn't bothered. His work is his proof.
Too good to be true? Well, you tell me! Does anyone have any thoughts about this "Stiffness" first approach?
... Except for the fact that his methods turn much of the accepted practice in Studio building upside down!!!
What could be so controversial, you say? OK, let me start by saying that after consulting with several other designers and engineers, it became apparent that in order to achieve desired attenuation of drums and bass through a floor (125mm concrete) so I don't disturb office neighbours beneath me, I needed 100mm floated concrete over a 100mm insulation filled gap supported by carefully engineered rubber or spring mounts.
On top of this floated floor would be walls and ceiling of around 80kg/m2.
Mass / Spring / Mass. All the books, all the historical tests and data, all the forum experts, and all the experienced studio designers, all agree this is unavoidable if you want anything near the 70 db transmission loss down needed.
Enter the the old school guru, who turns up his nose at all this overkill nonsense. ""You simply do not need that much mass, it's all BS! " He says. And what replaces Mass? Much larger gaps? No,you don't need 100mm gaps, 20mm is enough! ...
So what's his secret? Well, basically, it all about Stiffness. Yep, we know that stiffness has always been considered important for low frequencies, but we have been taught that only for LF below the resonant frequency of the cavity system, or the fmam.
Concrete? No, particle board! 1 x 19mm and 1 x 25mm. For floor, walls and ceiling. 60mm air gap for the floor, and 20mm air gap for walls and ceiling. Insulation density of 60kg/m3. Are you worried about resonances ? No, the insulation gets rid of it. 600mm centres? No! 450mm (more stiff!).
What if the room does not effectively isolate drums or bass after it has been built?
Vey unlikely he says, but in an extreme case, you would simply add another floating floor on top of the first one. 2 piggy backed identical cavities? 3 leaf effect? Nope. What about the isolation mounts deflection, all the extra weight of the added floating floor will surely flatten out the mounts so they no longer float?
No problem if you use the right kind of rubber...
... I know... that's how I reacted too. Problem is, he's been designing places for 40 years, ONE THOUSAND of them! No failures. I rang up a number of them. All owners expressed reverence and awe. "Just do what he says" they all said.
So, suddenly I'm in a parallel universe, or a Twilight Zone episode. A new time and place where the laws of Physics as I knew them no longer apply.
Test data? No, he hasn't bothered. His work is his proof.
Too good to be true? Well, you tell me! Does anyone have any thoughts about this "Stiffness" first approach?