Garage Studio Design - Internal layout and concept
Posted: Tue Jul 23, 2019 10:10 pm
Hello,
I am embarking on a studio construction project in the garage of my property.
Phase 1, was the extension of an existing garage to provide as much real estate as possible. Now this is complete, I am ready to being the plans for the internal structures and layout.
The main use of the space, will be as a mixing suite. So a good size and sounding control room is key. I would also like to have the luxury of tracking a drum kit in it from time to time, so a high level of isolation is required.
The second most import requirement is storage. It doesn’t need to be pretty, but the apex of the roof would need to be accessible for storage of both household items (gear) and music gear (more gear)
Construction:
Single layer block-work, on 600mm foundations 1000mm deep. 150mm concrete slab poured internally to walls.
Roof is supported by steel beam, completely vaulted internally. Thermal insulation has been installed between roofing tiles, and boarding illustrated in pictures. This can be removed if necessary, however it is not intended to provide any form of acoustical isolation.
The structure/foundations/slab etc, is not attached to any other buildings, and located ~15m from any other structures.
No windows, and the entrance door is uPVC.
Walls 2200mm from floor
Steel Beam (lowest point of internal pitch) 3200mm from floor
Proposed layout:
Control Room, measuring approx 5000 x 3500 (based on 1:1.6:2.33 Sepmeyer ratio found in Rod Gervais book, actual dimensions will be closer when plans are finally drawn out)
Isolation Booth/Vocal Booth measuring approx 2500 x 1000
Both ~2200mm high, constructed as free standing, timber frame. Air gap to external wall, cavity filled with insulation, and 2 layers of plasterboard internally.
In my drawings/mockups I have allowed for 300mm of insulated wall assembly.
Goals:
Control room will be used mainly for mixing. However, I will from time to time record a drum kit from this space. I want to aim for the highest level of isolation possible. I’m not able to give numbers here (sorry), but I am aiming for the sound of a drum kit to be inaudible by neighbours in the adjacent garden.
Isolation booth will be used for recording guitar cabs turned to 11. It will also function as a vocal booth, however this will be rather infrequent.
As the picture illustrates, I have not begun any of the internal work. As such I am not committed to any plan of attack, other than the obvious: Most return, for the lowest cost. I am under no illusion that this project will be expensive, and I am very much of the opinion that if you are going to do a job, you should do it once and do it properly. I also fully acknowledge that there are many gaps in my knowledge, which is why I intend on reaching out to this forum quite a bit. To begin with, I wanted to ask these two questions first.
1. As the concrete slab is not connected to any adjacent structure, do I need to have a de-coupled studio floor? My reading so far has suggested that a floating floor is both difficult to implement properly, and in many cases unnecessary. Not to mention the fact that it will eat into the little height I have available to me.
If I construct my stud walls by attaching them to the slab, and build my ‘isolated room’ on this same slab, have I in affect bypassed the isolating properties of a MAM wall system by maintaining a flanking path from - Internal floor to external wall.
OR is the essential mass of the whole floor system so great, that it negates this?
2. As I intend to use the “attic space” as storage, which would require me to board the roof of the 2 rooms. Do I need to approach this as though I were building an isolated floor for a sound-proof room, ie decoupling this attic space floor, from the wooden frame room structure below? Baring in mind I am only concerned with sound escaping the garage building as a whole.
I have read through the studio construction book by Rod Gervais, and the section on wall construction talks about how removing 1 layer of drywall from the outside of an assembly increases the STC. If I were to put floor boarding on the other side of the roof structure, have I robbed myself of isolation?
An associated point here is to the “airlock”. Does this space have to be truly isolated? In my suggested plan, this area is open to the storage areas in the roof.
Thanks for reading,
Any help, suggestions, blindingly obvious points I’ve missed, please let me know!
James
I am embarking on a studio construction project in the garage of my property.
Phase 1, was the extension of an existing garage to provide as much real estate as possible. Now this is complete, I am ready to being the plans for the internal structures and layout.
The main use of the space, will be as a mixing suite. So a good size and sounding control room is key. I would also like to have the luxury of tracking a drum kit in it from time to time, so a high level of isolation is required.
The second most import requirement is storage. It doesn’t need to be pretty, but the apex of the roof would need to be accessible for storage of both household items (gear) and music gear (more gear)
Construction:
Single layer block-work, on 600mm foundations 1000mm deep. 150mm concrete slab poured internally to walls.
Roof is supported by steel beam, completely vaulted internally. Thermal insulation has been installed between roofing tiles, and boarding illustrated in pictures. This can be removed if necessary, however it is not intended to provide any form of acoustical isolation.
The structure/foundations/slab etc, is not attached to any other buildings, and located ~15m from any other structures.
No windows, and the entrance door is uPVC.
Walls 2200mm from floor
Steel Beam (lowest point of internal pitch) 3200mm from floor
Proposed layout:
Control Room, measuring approx 5000 x 3500 (based on 1:1.6:2.33 Sepmeyer ratio found in Rod Gervais book, actual dimensions will be closer when plans are finally drawn out)
Isolation Booth/Vocal Booth measuring approx 2500 x 1000
Both ~2200mm high, constructed as free standing, timber frame. Air gap to external wall, cavity filled with insulation, and 2 layers of plasterboard internally.
In my drawings/mockups I have allowed for 300mm of insulated wall assembly.
Goals:
Control room will be used mainly for mixing. However, I will from time to time record a drum kit from this space. I want to aim for the highest level of isolation possible. I’m not able to give numbers here (sorry), but I am aiming for the sound of a drum kit to be inaudible by neighbours in the adjacent garden.
Isolation booth will be used for recording guitar cabs turned to 11. It will also function as a vocal booth, however this will be rather infrequent.
As the picture illustrates, I have not begun any of the internal work. As such I am not committed to any plan of attack, other than the obvious: Most return, for the lowest cost. I am under no illusion that this project will be expensive, and I am very much of the opinion that if you are going to do a job, you should do it once and do it properly. I also fully acknowledge that there are many gaps in my knowledge, which is why I intend on reaching out to this forum quite a bit. To begin with, I wanted to ask these two questions first.
1. As the concrete slab is not connected to any adjacent structure, do I need to have a de-coupled studio floor? My reading so far has suggested that a floating floor is both difficult to implement properly, and in many cases unnecessary. Not to mention the fact that it will eat into the little height I have available to me.
If I construct my stud walls by attaching them to the slab, and build my ‘isolated room’ on this same slab, have I in affect bypassed the isolating properties of a MAM wall system by maintaining a flanking path from - Internal floor to external wall.
OR is the essential mass of the whole floor system so great, that it negates this?
2. As I intend to use the “attic space” as storage, which would require me to board the roof of the 2 rooms. Do I need to approach this as though I were building an isolated floor for a sound-proof room, ie decoupling this attic space floor, from the wooden frame room structure below? Baring in mind I am only concerned with sound escaping the garage building as a whole.
I have read through the studio construction book by Rod Gervais, and the section on wall construction talks about how removing 1 layer of drywall from the outside of an assembly increases the STC. If I were to put floor boarding on the other side of the roof structure, have I robbed myself of isolation?
An associated point here is to the “airlock”. Does this space have to be truly isolated? In my suggested plan, this area is open to the storage areas in the roof.
Thanks for reading,
Any help, suggestions, blindingly obvious points I’ve missed, please let me know!
James