Thanks for the info Dan, yes I do have MHoA and I shall read over chapter 7, thanks for the tip!Waka wrote:MHOA chapter 7 is a great source of info about this (Do you have the book?)Paulus87 wrote: Any one have any insight into how a particular sound reacts to objects smaller/larger than its wavelength?
Kind of, but it's not a simple cut off point. MHOA uses the term "acoustically small" or "large". If the object is smaller than the wavelength virtually all of the sound will be diffracted and wrap around, very little will reflect. But as you get larger than the wavelength, less and less diffracts until it's almost perfect reflection.Paulus87 wrote:I assume, in simple terms, (and, ruling out any absorption by the object) sound reflects off of an object which is larger than its wavelength, and if the wavelength is longer than the objects dimensions it diffracts around it?
When the reflector is not perpendicular to the wavefront things would get complicated!Paulus87 wrote:So then, how effective are my side wall panel reflectors - if they're roughly 2' wide then they will only reflect sound waves of 560hz and above, everything else will diffract around it. And then, how does the splay angle affect things? How about the height?
This is something that I think is overlooked due to how complicated it is.
If your reflectors have only one free edge (attached to ceiling floor, and wall) then that's the only edge sound can diffract around. That's seems like a good thing though because this edge will diffract the sound into the absorption, that's a key feature of waveguides.
Height behaves exactly the same as width, if the height is acoustically small, then the sound will wrap right over it, or if it's acoustically large, then less will diffract over the top edge.
Remember that lower frequencies reflect over a wide dispersion area anyway, until almost completely omni-directional at very low frequencies. So attempting to reflect them in certain directions does not seem useful. Specular reflections at higher frequencies are the destructive ones that you need to watch out for.
With your current design your reflectors will work at mid-high to high frequencies and the lower frequencies will diffract around act similarly to a flat surface.
Looking at your rear wall design I see you plan to put a diffuser in, could the effectiveness of this be reduced by you having reflectors all pointing to the rear on your side walls? Much of the diffuse energy will reflect from the diffuser to a side reflector, across the room to the other side wall reflector and back to the rear wall again. Will these reflections reach the mix position?
Maybe ray tracing some reflections from the diffuser will shed light on this.
Dan
Regarding the diffusor, I am in two minds about whether or not I even want it there or not. If I do install one its purpose will be for the operator rather than the loudspeakers, again to help with self cue noises. In which case it'll probably be a 2D PRD since those are the least imposing, acoustically.
The whole design concept of the control room is trying to achieve dual environments, one environment where any (or as much as possible) reflections from the loudspeakers are non-existent, so that only the direct sound is heard; and one environment where the people in the room still feel comfortable while talking, working, sitting etc.
It's difficult because it requires people to hear themselves reflect off of distinct boundaries, so that the brain can locate where the floor, walls and ceiling are, and yet those boundaries need to not be "seen" by the loudspeakers, so that those boundaries do not interact with the loudspeakers (as much as possible).
I've been reading about flex duct recently, some pros are really not fans of it and yet some are very much for it. Newell and Thomas from Northward both use it, Thomas even uses it without any silencer boxes. He sheds some info on it here in this thread, post no.18, 24, 49, 53, 57 and 60.
https://www.gearslutz.com/board/studio- ... -look.html
From what I can gather, the flex duct is sized appropriately for the amount of air and correct velocity needed, it is then offset when routed between walls.
If anyone has understood this better than me then please feel free to expand.
I would like to use flex duct and if I do not need to build silencers then all the better!
Paul