Hi. Please read the
forum rules for posting (click here). You seem to be missing a couple of things!
Please see my Room EQ plot.
What was the geometry for that measurement, and how did you take it?
Clearly, you did not correctly calibrate REW using a SLM prior to taking that measurement, so you should do that first, then re-measure. You should also make sure that your speakers and listening position are set up in the correct relationship.
You are only showing the Frequency Response curves for your room, which is just a very small part of the overall acoustic picture, and not necessarily even the most important, and you are also showing them on scales that are not very useful. I would need to see the actual MDAT file itself, but I'd also need to be sure that the measurements in that file were taken correctly, after the system was calibrated correctly. Otherwise, it's just wavy lines on the screen, without a lot of meaning. Acoustic response graphs only have meaning if the context is known. If not, it's pointless. By "context", I mean that everything about how the reading was taken is fully documented, and correctly calibrated.
What does this mean, cancellation?
Most likely, it is either SBIR from the front or back wall, or more probably due to a wall, floor, or ceiling bounce. But first we'll need to get your REW measurements done correctly. It might also be modal, but that's very unlikely.
How should I treat the room to correct this?
Until we know what is causing it, and where that "what" is located, then we can start thinking about methods for treating it.
178 inch by 174 inch by 95 inch height
So the room is basically SQUARE?
Ooops. How did that happen? You will have major modal issues at around 77 Hz from that, as well as several others. Your room ratio is 1 : 1.83 : 1.86, which fails two of the three critical tests for usability of a room...
No treatment yet but room full of furniture,
Your baseline REW test should be conducted with a completely empty room: nothing at all in it, except the speakers and the measurement mic, and perhaps the desk if you really need it in there for the test gear.
Confirmed on 2 sets of speakers.
Did you place both sets of speakers in the exact same location? And are the results perfectly identical? I doubt that's what happened. The results might look similar, but different speakers will likely show different results, and especially so if they are in non-identical locations.
I enjoy mostly vintage 60's/70's music .....and looking to setup the room in that vein
There's no such thing as different setups for different genres or styles. There's usually only one "perfect" layout for any given room, with perhaps a few other "really good" layouts, and the layout is totally independent of the type of music: It depends entirely and completely on the laws of physics. The "perfect" layout (which isn't truly perfect by any means, but is rather just better than all others) is the arrangement of locations in the room for the speakers and the listening position, where the room itself has the least affect on the sound, as measured at the listening position. It's the setup where the sound gets directly from the speakers to your ears while being affected as little as possible by the room. That setup is different for every room, so you can forget the famous "equilateral triangle" thing: it's a myth. That will often give you a reasonably good set up in most rooms, but it wont be the best. There are equations, empirical guidelines, rules of thumb, and adjustments from experience, that will all combine to get the setup in your room as good as it can be. Then there are treatment devices that will need to be installed at specific locations in the room to deal with certain of the issues, and the locations might need re-tweaking after that. Rinse. Repeat.
Advice appreciated!
OK, first you'll need to clear out the room and get it totally empty. Then you'll need to setup your speakers in the correct locations and orientations for that specific room, and you'll need to set up your mic at the correct location and orientation too. I'm assuming that it is also the correct mic: What mic are you using for your measurements? (make and model number).
Then calibrate REW correctly such that each of your speakers is producing 80 dBC at the listening position when playing the REW full-range test signal through ONLY that speaker all by itself, with the other one turned off. That will automatically guarantee that you will get exactly 86 dBC at the listening position with both speakers on, playing the same sound.
You measure those levels at the mix position using your SLM (which must also be calibrated, of course), then you calibrate REW to those levels, using the SPL meter tool, "calibrate" button.
When you have done all that, run one full-spectrum test with ONLY the left speaker on, all by itself, and label that "L". Then do another test with ONLY the right speaker on, all by itself, and label that "R". The do one more test with both speakers on, and label that "LR". Upload the MDAT file to a file-sharing service, such as "Dropbox", and post the link here so we can download it and start analyzing it.
When you have done all that, carefully measure and mark the exact location of both speakers in the room, and the measurement mic, with accuracy of better than 5mm, so you can get them all back to the identical locations for all future tests.
- Stuart -