Eric, I think you're already looking at the source - those files are uploaded to this site -
OG, you're reaching into territory where Eric's much deeper knowledge of material behavior will be very valuable - Now that I fully understand what's been done to your walls and ceiling, it would seem to me (Eric, feel free to jump in here and add whatever you feel will help or correct) that what you have is in fact a single leaf, made up of various materials/densities/propagation speeds, etc - Eric, being a degreed acoustician and excel whiz, might be able (with enough time, LOL) to help you calculate the TL of those walls, but I have not had enough time to dig into most of the resources Eric has kindly provided and expand my consciousness enough to "wrap my head around" most of it (I have, however, bookmarked or downloaded everything, thanks again Eric)
Anyway, to my mind what you have is a single leaf wall, made up of 1" stucco (concrete, or close),5/8" plywood, 4" closed cell foam, slightly visco-elastic layer of construction adhesive, and another layer of 5/8" plywood - in all this, there is no effective air gap but just different density mass layers with different coincidence dips - Again, I'm on "thin ice" here, if Eric differs with me we BOTH should listen

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If my understanding is correct, then (also considering the difficulty of removing any of this) your least offensive and most effective option would be a separate frame (filled with fiberglass batts, NOT foam) and 3 layers of 5/8" gypsum wallboard, all done according to the techniques in the "complete section" sticky and the USG manual, with no Resilient Channel, no "special soundboard", just good hermetic construction using REAL acoustic rated caulk around edges and each layer properly mudded and taped (but not worrying about smooth enough to paint) -
If you do these inner walls on a floated floor, that part of the construction shoud work well for you - the ceiling, considering it isn't flat, would be more of a problem to achieve a separate frame for - somehow, you will need an air gap of several inches and an inner mass leaf similar to what I described for your walls - if your ceiling joists/rafters can take the weight, maybe some steel channel suspended from commercial isolators such as Kineticsnoise.com makes, and hang your multilayers of gypsum on those steel channels. I've not done this myself, maybe Rod Gervais would have some ideas on how to isolate a "mansard style" ceiling's inner leaf.
Let's see if either Eric or Rod thinks I'm anywhere close to reality here... Steve
Oh, almost missed this - you can't measure STC, only calculate it after taking measurements at frequencies between 125 hZ and 4000 hZ - and even if you could, for music it is not adequate. Ideally, what you want is a good STC wall that also has improved low frequency TL - the two are not the same.
Basically, STC is a weighted calculation, strongly referenced to Transmission Loss (TL) at 500 hZ and originally designed as a measure of human speech isolation, nothing more - there is a half-hearted attempt at replacing STC with MTC, which stands for both Machinery Transmission Class and/or Music Transmission Class, which does take into account frequencies lower than 125 hZ - unfortunately, MTC doesn't seem to be gaining much use from what I've seen so far.
TL, on the other hand, is measured at each frequency band individually and is more indicative of how much music will escape a barrier - if the TL at lower frequencies isn't good enough, all the "thump" from drums and bass will penetrate (and annoy your "NFH" - Neighbor From Hell) -
TL at higher frequencies isn't all that hard to accomplish - it's the lower ones that get tough. The ONLY things that work at lower frequencies are lots of mass, two leaves of that mass (not three, or four, etc) no hard coupling between those leaves, and air space(with OPEN cell insulation like fiberglass or mineral wool in it), and good damping of the leaves - the more mass, the better - the wider air gap, the better - if the insulation batts press into the gypsum wall panels they help damp the panels, which cuts down on panel vibration (good thing) - Beyond that, the lower the frequency the more important a PERMANENT hermetic seal becomes, which is why I never recommend anything but ACOUSTIC rated caulk, because in a few years (or less) anything else will develop small cracks which start eroding your isolation at lowest frequencies first.
If what you're calling a dB meter is a Sound Level Meter, depending on which one you have it may help some - the Radio Shack ones, although arguably the best bargain going, do NOT go down to low enough SPL ranges to help a lot with isolation issues, but WILL help you make sure you're within noise limits for most sound laws -
If you can get a time when your neighbor isn't home, that would be the best time to perform a test - I'd crank your sound system up to as loud as you'll expect to ever be, then go to the property line and measure the levels - most ordinances use "A" weighting for this, so that's what I'd use - the difference between dB levels in your room and dB levels at the property line are not an exact measure of your wall's isolation, but will indicate approximately how much MORE isolation you need -
Another way is to turn your system up til it's as loud as you'll use, check the SPL in the room, then (cell phones help with this) have a wife/friend/band member start turning it down while you're at the property line, until you just can't hear it - now, re-measure the level IN the room, subtract the two measurements, and that's approximately how much improvement you'll need in your walls/ceilings, etc -
Gotta run for now, but I think we're making some progress here - hopefully Rod and Eric both will add their comments and insights... Steve