Interesting design I've got here...need some help.
Posted: Fri Dec 05, 2003 12:04 pm
Hey all. Construction is coming along nicely. The builders are working a good 8-9 hours a day to get things done. The placement is in the bottom side of a garage, and takes up about 2/3 of the actual garage area. The control room is a comfy 14x12x9 high feet and the live room is 14x16x9 high ft. It's not big, but feels comfortable to work in. Anyway, I've finally finished up most of my wiring design in the studio. I use a Digi 002R system, and I plan on having the 16 channels of the snake box permanently installed into specified inputs, automatically routed through specific processors. Simple clean design. I dont have much out-board gear anyway, just a few pres and compressors. Like I said, specified input on the snake box in the live room will be labeld as to what each line connects to. Simple.
BUT here's where I really needed help. In order to save the track for the garage door, I decided to build the wall under the door's track. Outside it would look a little funky (of course, its in a garage anyway - it doesnt matter), but on the inside, the over-hang would provide a lower ceiling directly above the sofa in the back. The room is symetrical except for the door. (I'm working on designs for future acoustical tuning...wait to bash me later for having a rectangular room). This is the space I had to work with, so I think this was the best option for a design to utilize the space the best. Anyway.
The design consists of the higher ceiling dropping down a little over 2 feet, and then staight back 4 feet. (Refer to the pictures) This leaves just enough headroom for a nice cozy little over-hang for the sofa in the back. Great.
Now my concerns are in the 2 ft wall that I have created behind the mix position. Will this cause a significant amount of slap-back relection? Will it cause bass-buildup behind the mix position? The other concern is now the wall that will be behind the sofa, now with yet another bass-collecting spot behind it at the 90 degree angle. Essentially, I have created double the problems that anyone has with a square ceiling and wall that meets at a 90 degree angle behind the mix position.
Or have I?
Perhaps I could use this to my advantage? I could install rising clouds that began at the jutted-out ceiling, or even slot resonators, or even a diffusion system, or hell, even solid studio absorbtion foam all along there. But one thing that I am really trying to keep in mind with this is the high-class look I'm trying to acheive.
More questions concerning studio design and acoustics will follow, I'm sure! So please be patient with the amature. Thanks all!
BUT here's where I really needed help. In order to save the track for the garage door, I decided to build the wall under the door's track. Outside it would look a little funky (of course, its in a garage anyway - it doesnt matter), but on the inside, the over-hang would provide a lower ceiling directly above the sofa in the back. The room is symetrical except for the door. (I'm working on designs for future acoustical tuning...wait to bash me later for having a rectangular room). This is the space I had to work with, so I think this was the best option for a design to utilize the space the best. Anyway.
The design consists of the higher ceiling dropping down a little over 2 feet, and then staight back 4 feet. (Refer to the pictures) This leaves just enough headroom for a nice cozy little over-hang for the sofa in the back. Great.
Now my concerns are in the 2 ft wall that I have created behind the mix position. Will this cause a significant amount of slap-back relection? Will it cause bass-buildup behind the mix position? The other concern is now the wall that will be behind the sofa, now with yet another bass-collecting spot behind it at the 90 degree angle. Essentially, I have created double the problems that anyone has with a square ceiling and wall that meets at a 90 degree angle behind the mix position.
Or have I?
Perhaps I could use this to my advantage? I could install rising clouds that began at the jutted-out ceiling, or even slot resonators, or even a diffusion system, or hell, even solid studio absorbtion foam all along there. But one thing that I am really trying to keep in mind with this is the high-class look I'm trying to acheive.
More questions concerning studio design and acoustics will follow, I'm sure! So please be patient with the amature. Thanks all!