Thanks Steve,
I wasn't talking about using the soft soundboard at all - poly's are usually made from relatively thin plywood, typically 1/4" (6mm or so) because it CAN be bent without turning to dust. It's also available in nice veneers so all you need to do is stain or paint... Steve
I've got your message about the Soundboard and the thin plywood, but too late for stopping the order of it

.
So now I hope that we will be okay, I like the idea to be able to stain or paint the curved boards and get rid of the flutter, I expect the same acoustic properties from the soft soundboards i.e flutter killing (not painted), can I?
Following statement and questions is based upon my previous experience (light) and my sound engineering/acoustics edjucation (shallow/old?)
What is the bad thing(s) to use Soundboard for what I intend to use it for

, (anything good with Soundboards VS polys at all?). I have seen One of the legend Bruce Swedien's

personal friend in Sweden (Björn Asplind) design of a studio with this sound board as deflecting/diffusion devices suspended from the ceiling

. Background of Björn;
Björn wrote an Sound engineering book for the Swedish musicians/sound engineers in the 80ies

, and I had him as a mentor and we used Michael Jacksons Thriller, in Multi track version (thanks to Bruce giving a copy away

) during my Sound engineer training, It might be the old school from 80's that used soundboards and not plywood??
Back to main topic and direction;
We will go on and build it with Soundboards and change if it is sounding/looking bad

, the show must go on!!! Only a prompt DONT DO IT can stop us now (the frames can be recycled into plywood design

, and soundboards can be recycled to gobos!!

Damage control and no waste!!
Cheers