I think I've decided against the EQ option, btw. I tried it a bit, and it's a mess. Makes the sound go all thin and weird at the back of the room (where there's a small lounge area for my clients)
Did you measure the spectrum at the mix position, and at the client couch? You shouldn't apply different criteria for satisfaction on a whim....better to be objective and methodical, then build your opinions on fact. Your first post showed frequency response spectra which suggested too much bass buildup on the side located in a near tri-corner. You EQ it out, and now complain that it's thin....without taking the time to measure if it's flat or not.
It's your control room, and you have to be happy with it...and maybe you don't really want a flat response, but I think you ought to verify with a spectrum analyisis if the bass buildup is indeed a boundary effect, or if it's a mode.
Actually, most people prefer a little boost in the lows, makes the mix feel bigger, and keeps the finished product from being too bass heavy.
I COULD look into building a discrete line level 8 dB/45 hz filter with a wide q and plug it on the right amp input, but as you said: it just feels SO wrong! Also, isn't filtering gonna affect the signal higher up at its harmonics?
You'd want a shelf filter...pretty easy to make with 3 op-amps. Affecting higher harmonics....no, a shelf filter should have no effect on anything in the pass band. You really need to think that (if it is a boundary problem), what's coming out of your speakers is already improperly EQ'd....adding another EQ can actually fix that problem.
Cheers,
Kris