Plan: I am not looking at a big time permanent build or soundproofing requirement here. Just the best room as a base choice, to then quickly tackle the acoustic treatment phase. Preferably be using mainly 2.2m high floor standing Panels to keep it modular for when I eventually move studio and not destroy the structure with huge amounts of repatching/sanding/painting from all the drilling etc. but will see how far I can get away with that idea! I know I could DIY it cheaper (again) but with the time requirement to do it, this time I may go the pre-built treatments with a max £10,000 (preferably less).
Usage: Mixing in Dolby Atmos (music - not theatrical - not looking for certification) within the year, as well as current standard Stereo Mixing/Mastering, plus occasional Voicover/Vocal recordings (not a priority though as movable panels/gobos will create mini booths when needed).
Loudness: 83dB SPL C weighted slow response to mix/master at. The occasional vocal overdubs doesn’t add enough of a problem to class as separate level requirement in my opinion - especially with the previously proposed panel/gobos (boothe) usage.
Location: UK based (in profile but being restated here incase).
Green Upstairs Normal room:
Structure - Half brick, insulation and cement blocks plasterboard paint finish. Half wooden studded walls (insulted), plasterboard paint finish. Wooden floor boards (not insulated), underlay and carpet finish. Height 2.3m. 4.5m longest length, 3.8m shortest length. Width 2.5m widest, 1.9m small cut out bit at the back. Summary - a rectangular-ish normal room with a raging teenage neighbour, ha.
Pro’s:
- Pretty much rectangular so maybe easier to manage acoustically
Decent width and length
- Teenager as audible neighbour
Carpeted floor
Creaky floorboards under carpet
Weight of lots of heavy gear, eventually including 12 speakers plus stands upstairs
Blue Upstairs Tall room:
Structure - Bricks, insulation and cement blocks with plasterboard paint finish. Wooden floor boards (insulated), 2 layers of different underlays, finished with thick laminate. Vaulted ceiling - 4.2m highest, 2.3m lowest. Length 5.6m. Width 2.2m. Summary - a slim rectangular room with interesting 'wow factor' ceiling heights and a lovely skylight.
Pro’s:
- Ceiling height
Lots of natural light
Naturally warm
Rectangular walls shape may be easier to manage acoustics
Long room
Laminate floor
- Ceiling height and angles may make acoustics strange (very live sounding room flutter echo)
Width (slim)
Spotlights likely in way of best cloud positioning
Rain noise on skylight is loud
Sunshine very harsh to monitors and gear (sunburnt plants)
With all gear on and acoustic treatments it could get very warm
Weight of lots of heavy gear, eventually including 12 speakers plus stands upstairs
Both doors open into this room making treatment there difficult/impossible
If need to cover skylight with something then what’s the point of having a skylight?
If skylight covered then may need noisy metal ladder (left in room) to access window treatment/blinds/curtain
Red Downstairs Wide room:
Structure - Brick walls, insulation and cement blocks. Thin foam roll underlay, finished with thick laminate. Height 2.3m. 5.6m length. Width widest 3.8m, shortest width 2.6m with a non parallel wall. Summary - an odd shaped cold/dark room that has some good width space.
Pro’s:
- Ground floor so weight of lots of heavy gear, eventually including 12 speakers plus stands, is a non issue
Width best of all at widest back section
Dark and coldest room so with gear and treatment up it won’t end up roasting hot
Laminate floor
- The room is also the walkway for the rest of downstairs (kitchen etc.) so walkway needs to remain clear
Fireplace and mantle piece (reflections)
Non symmetrical shaped room (good if live room but for mixing/mastering perhaps less so)
I've attached photos of the bare rooms (without acoustic treatments in) to make your choice easier.
So given these choices which room would you choose to make into a mix/master room and why?