How to use REW to analyze the acoustics of your room...
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Re: How to use REW to analyze the acoustics of your room...
Excellent, thank you.
I've been playing guitar for over 40 years.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
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Re: How to use REW to analyze the acoustics of your room...
I'm a noob to this forum, so I apologize for any obvious questions. I've looked around a decent amount, but still had a question about this:
Is there a good tutorial on measuring live rooms specifically, similar to this one? Or would the opposite corners strategy be the only difference in testing compared to this? I'm really curious since I'm wondering if you would need to test a variety of speakers considering different speakers I'd expect would have a different frequency response, and when recording you would be using a variety of them in a live room depending on the application, right?Soundman2020 wrote:I often do that in live rooms and booths, yes, because there's no fixed positions for the sound source and receiver (ear, mic) in a live room. That does give you a pretty good feeling for how the low end is behaving, especially modes. But I don't usually do that in a control room, since it isn't going to tell me much that I didn't already know from the "standard" test, and also because in a control room, there's a very precise fixed location for both the source (speakers) and receiver (listening position). Since the entire purpose of a control room is based around the listening position(s), that's what I'm most interested in: the room response at the listening position. For a control room, I might do another series of tests that I call the "walking mic" test (which I'll post a description of at some point soon), as that tells me a lot more about the SBIR issues and the modal issues, as well as about possible changes in the mix position, but I don't see much of a need to do the "diagonal corners" test that you describe: That's really useful in live rooms, but not very much in a a control room. (There's one exception, which has to do with very high precision room tuning, but I won't be going into that here, as it's not even applicable to most home studios).might be with a full-range monitor placed on the floor in a corner, and the opposite ceiling corner being used for the measurement mic, as this will provide some extra gain from boundary proximity, and also verify the room modes fairly well.
Thanks again for your efforts, and looking forward to future posts regarding this topic.
- Stuart -
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Re: How to use REW to analyze the acoustics of your room...
Preparing to run my first analysis and I'm stuck on the soundcard calibration section. Yep, the very beginning.
I have a Blue Sky Pro Desk 2.1 monitor system and I am not sure if I have everything set "flat" as the instructions indicate.
The sub-woofer does have "Variable Cutoff Frequency" controls and I'm not sure if that is applicable or not.
Also a little confused with the instructions for setting up my multi-channel output. I'm on a Mac OS X.
[url]http://abluesky.com/products/prodesk-2-1//url]
I have a Blue Sky Pro Desk 2.1 monitor system and I am not sure if I have everything set "flat" as the instructions indicate.
The sub-woofer does have "Variable Cutoff Frequency" controls and I'm not sure if that is applicable or not.
Also a little confused with the instructions for setting up my multi-channel output. I'm on a Mac OS X.
[url]http://abluesky.com/products/prodesk-2-1//url]
I've been playing guitar for over 40 years.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
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Re: How to use REW to analyze the acoustics of your room...
Attempting to proceed and having a problem with the input signal when calibrating my sound card.
It will not show an input signal if I set the sample rate to 48kHz. Everything is set to 48 on my interface, etc.
If set to 44.1 I do get an input signal.
It will not show an input signal if I set the sample rate to 48kHz. Everything is set to 48 on my interface, etc.
If set to 44.1 I do get an input signal.
I've been playing guitar for over 40 years.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
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Re: How to use REW to analyze the acoustics of your room...
Well, I finally got an input signal at 48k but the measuring results may not look to good. Not sure how to correct this.
I've been playing guitar for over 40 years.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
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Re: How to use REW to analyze the acoustics of your room...
When I have my interface monitoring set to mono, I get better results. Not sure if this should be done though.
I've been playing guitar for over 40 years.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
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Re: How to use REW to analyze the acoustics of your room...
You have a feedback loop in your system somewhere. Probably you have monitoring engaged and feeding back into the inputs, or some such.Well, I finally got an input signal at 48k but the measuring results may not look to good. Not sure how to correct this
Also, please move all of your posts about this to your own personal thread, instead of having them here on this thread, which is about using REW in general, not specific individual cases.
- Stuart -
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Re: How to use REW to analyze the acoustics of your room...
Thank you Stuart. I have created a separate thread for this. I'm not able to delete my posts here. Do I need to send a request to have them deleted?Soundman2020 wrote:You have a feedback loop in your system somewhere. Probably you have monitoring engaged and feeding back into the inputs, or some such.Well, I finally got an input signal at 48k but the measuring results may not look to good. Not sure how to correct this
Also, please move all of your posts about this to your own personal thread, instead of having them here on this thread, which is about using REW in general, not specific individual cases.
- Stuart -
I've been playing guitar for over 40 years.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
Small Personal Recording Studio
I compose and record almost everything on my own.
Guitars are recorded direct via Axe-FX III.
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Extech 407730
So can the Extech 407730 be used for calibration given its limited frequency response?
This is the handheld meter I ended up purchasing, so just checking if I should return it and opt for another?
Thanks
This is the handheld meter I ended up purchasing, so just checking if I should return it and opt for another?
Thanks
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Re: How to use REW to analyze the acoustics of your room...
Why do you figure it has a limited frequency response? It has slow and C weighting settings and that's all you need it to do. It should work fine.So can the Extech 407730 be used for calibration given its limited frequency response?
Greg
It appears that you've made the mistake most people do. You started building without consulting this forum.
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Re: How to use REW to analyze the acoustics of your room...
Hi there, I purchased the Extech 407730 for this test as it was recommended as one of the devices in the instructions. However I noticed after going through all the subsequent postings that the 407730 only has frequency response down to 300hz. I have a subwoofer in my studio setup and was wondering if I should get a different one that has a lower frequency response? I see someone already posed that question, however I wanted to know if it makes a difference with me having a subwoofer.
Also I have a couple questions about testing with the subwoofer in the setup:
- When we are doing the tests of the L/R speakers for their own separate tests, should they go through the subwoofer (with subwoofer volume at 0)? Or should I bypass the subwoofer for those tests and wire them directly to my soundcard? I assume they should go through the subwoofer as the crossover would affect the volume of the monitors even at 0 volume?
- In your additional instructions about calibrating the volumes when having a subwoofer, are you saying that in step 3 we should play around with the volumes of L/R/S at around 77db each, and keep adjusting until all 3 are giving out combined 86db?
Thanks!
Also I have a couple questions about testing with the subwoofer in the setup:
- When we are doing the tests of the L/R speakers for their own separate tests, should they go through the subwoofer (with subwoofer volume at 0)? Or should I bypass the subwoofer for those tests and wire them directly to my soundcard? I assume they should go through the subwoofer as the crossover would affect the volume of the monitors even at 0 volume?
- In your additional instructions about calibrating the volumes when having a subwoofer, are you saying that in step 3 we should play around with the volumes of L/R/S at around 77db each, and keep adjusting until all 3 are giving out combined 86db?
Thanks!
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Re: How to use REW to analyze the acoustics of your room...
That's as low as C weighting calls for. This meter is more than adequate.However I noticed after going through all the subsequent postings that the 407730 only has frequency response down to 300hz.
Greg
It appears that you've made the mistake most people do. You started building without consulting this forum.
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Re: How to use REW to analyze the acoustics of your room...
Hi Greg, that 300Hz comment caught my attention. I'd guess you meant A?
Also, I think it odd that any SLM would be restricted to measurements over 300Hz. On a General REW note. Calibrating the Soundcard was perhaps necessary, or desirable for critical timing measures, in some distant past. But no longer afaik.
REW, FuzzMeasure, etc. work perfectly well with single channel USB mics.
Also, I think it odd that any SLM would be restricted to measurements over 300Hz. On a General REW note. Calibrating the Soundcard was perhaps necessary, or desirable for critical timing measures, in some distant past. But no longer afaik.
REW, FuzzMeasure, etc. work perfectly well with single channel USB mics.
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Re: How to use REW to analyze the acoustics of your room...
Sorry, yes.
My meter is "flat" only down to 125Hz as well.
Greg
My meter is "flat" only down to 125Hz as well.
Greg
It appears that you've made the mistake most people do. You started building without consulting this forum.
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Re: How to use REW to analyze the acoustics of your room...
Thanks Greg for the reply. And sorry, just read the posting rules and of course didn't have my location entered, which is now there.
I'm still not clear about how I should set the volume on my subwoofer when doing the testing. I'd like to get as accurate measurements as possible before posting the results on the site, so want to make sure I'm doing it correctly. If the subwoofer is only playing frequencies less than 80hz (which is what my crossover is set at), and the SPL doesn't pickup these low frequencies, how would I set the subwoofer volume? I'm using two KRK rokit 8's and a KRK 10s subwoofer in my studio setup.
Thanks!
I'm still not clear about how I should set the volume on my subwoofer when doing the testing. I'd like to get as accurate measurements as possible before posting the results on the site, so want to make sure I'm doing it correctly. If the subwoofer is only playing frequencies less than 80hz (which is what my crossover is set at), and the SPL doesn't pickup these low frequencies, how would I set the subwoofer volume? I'm using two KRK rokit 8's and a KRK 10s subwoofer in my studio setup.
Thanks!