Drum rehearsal/recording basement studio in Madrid

How thick should my walls be, should I float my floors (and if so, how), why is two leaf mass-air-mass design important, etc.

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vdegou
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Joined: Fri May 10, 2019 5:29 pm
Location: Madrid, Spain

Drum rehearsal/recording basement studio in Madrid

Post by vdegou »

Hello everyone! First of all, thank you for your interest and clicking this thread :)

A little overview before getting started: my name is Victor, I have been playing drums since I was quite young and since a couple of years back I've been interested in setting up my own recording and rehearsing space. I was in the process of building my own studio in my home country five years ago, however due to some political sh** hitting the fan back home, I left to start a life elsewhere. Suffice to say I'm ready to get back into drumming and revive the dream of having my own studio.

Now, five years ago I didn't know about this forum, so I feel like I am starting from scratch but with proper access to knowledge this time! Thank you all for the information that you provide here!

Anyways, now to the good stuff. My project is centered around transforming a basement space (what is now being used as a wine cellar) into a decent enough room to record drums. As of now, I don't think there is a need to separate the live room from the control room, although the space is there to do so in the future. I would rather start off with a treated room for the drums that sound nicely where I can record from within, as a personal project, and later on think about expanding that and making the control room from an existing room adjacent to the wine cellar. Another important thing is that I want to attenuate the sound as much as possible to avoid disturbing neighbors as well as anybody else inside the house. Good thing is that since the space is in the basement, we have a couple of thick, cement walls that will help.

Currently I am still in the researching phase for the whole project. I am going over a bunch of threads in the forum and taking heed of all the advice (beeros05 story was particularly enlightening), however I must confess that I am pretty much a newbie in all of this.

I have taken the liberty of designing the space in Sketchup, hopefully you guys can take a look at it so you can see what I am working with, and then I will move on to the questions.
studio_layout_top_down.png
In the previous image, we can see the layout of the room. This is the outermost structure, which gives us a total length of approximately 7.43m, a width of 2.88m, and a height of 1.95m. This results in 21.39m^2 and 41.72m^3. In the next image, I have taken into consideration some limitations of the room such as some drainage pipes and the strangely shaped wall used to house the wines.
studio_layout_top_down_constraints.png
As we can see, we have two sections where we have a couple of water pipes running across both the length and the width of the room. I have yellowed out the space that completely walls off the pipes, so if we were to take the yellow areas as the limits of the room, the pipes would not affect the internal structure. Fortunately, the pipes aren't either too big or too many, so hopefully we can make use of that yellow space and just insulate around the pipes.

On the opposite end of the room, in red, there is a 32cm thick wall (not too sure of the material, could be brick or clay, unfortunately I have no idea. All I know is that it is pretty sturdy). This wall is rather interesting because it is full of holes used to store the bottles of wine. I am not sure if this will be useful for the build, although I guess not. I do not think we can count this wall a leaf in the mass-air-mass design. Behind this wine wall however, we have a very good cement wall that is part of the foundation of the house, so it is just cement engulfed by ground. The next image aims to take a look at the structure of the outer walls.
studio_layout_walls.png
Hopefully this image gives a better look at the context of the room. Thankfully, we have a couple of really good walls due to being in a basement. Relative to the image orientation, the left and rightmost (labeled water pipes and wine wall) walls are very sturdy. These are cement foundation walls and there is nothing but earth after them (this is probably very wrong as I know nothing about construction, but we are underground and I imagine the cement of the walls runs out somewhere :P)

On the wall closest to the bottom we might have some issues. It is still cement, but it is in contact with my neighbor's basement wall as well, so this might be a relatively weak point in the overall structure. Unfortunately I have no way of knowing how thick this wall is.

In the top walls (next to the Door label) is where I believe I will have the most trouble. The wall with the door gives way to a room and it is only 7cm of concrete thick. Banging on the wall with my hand obviously does not feel as sturdy as the foundation walls, and the vibrations can be felt from the other room. Then, we have a green section that is adjacent to the stairwell. This concrete wall is also very sturdy, and is a minimum of 30cm thick. Following that wall, we have another thin, 8cm thick concrete wall which gives way to another room, which additionally, has a small hole in the wall near the ceiling (66cm long, 33cm wide). This hole might be trouble, but I've been thinking could be good for the HVAC (still need some more research around this area).

It is worth noting that the floor is also concrete.

The wall layout of this space makes me bring up the following question:

Can/should the concrete foundations be used as the outer leaf for a two leaf wall? Between the two leafs we would have the water pipes and the idea would be to place insulation in this gap.

I am attaching two more images with a 3d perspective just to give a better feel for the room. I will also attach actual pictures as a comment to this thread.
studio_layout_3d_01.png
studio_layout_3d_02.png
Now that we have some context...

I would like to take a well though-out approach to completing this project. I would rather take my time, take acoustic measurements (REW or whichever other tool), get an understanding of modes and frequencies, and adapt, than to rush it and botch the project. Of course, since I don't have much knowledge, this could take some time, but I think it is a good opportunity to do a full step-by-step guide for anybody in a similar situation and back every design and construction decision with facts and data. Of course, this is where I come to this forum and to you guys because I am kind of at a loss with the amount of information here. I am not quite sure where to start! I have a couple of hunches, like measure the dB level in the room when I play, however I will not have a drumkit with me until 2-3 weeks. Currently I only have a snare and some cymbals on me.

Some other information: the drainage pipes occasionally make a sound from the water rushing through them, but it is not a big deal. What worries me the most is the humidity. I would like to measure the humidity of the room given that it is a basement, and well obviously, because of the water pipes. I would not want any mold issues or damages to the gear, however I suspect that this won't be an issue due to this house being built like this for over 25 years and not having any humidity issues in the past.

I guess the first tangible objective would be to come up with a design that would minimize the sound escaping from the room. Hopefully the thick concrete walls already in place will help with that. To achieve this goal, I guess my first question would be what I asked previously, whether I can use the thick concrete walls on the left and bottom as the outer leafs of the structure and the airgap where the water pipes are, and prop up another wall as the second, inner leaf? What about the rightmost wall with the holes for wine? This one is also backed by a concrete wall, but how will this "wine wall" affect that mass-air-mass model? Finally, regarding the weakest 7cm and 8cm thick concrete walls, what can we do here? This area needs the most attention also because the door is there, and most of the sound will likely escape through here.

I am looking at a budget of 5k euros (hopefully, but can be adjusted over time if necessary) to get the space in good conditions. This includes sound proofing and treatment. Hoping this is within reason!

Quick summary of the situation:
Goal is to transform a space in the basement into a recording/rehearsing drum room
There are water pipes in the room. Humidity might be an issue, will look into measuring this.
One of the walls was used as a place to stash different bottles, so it is full of holes. Cannot make any changes to this wall.
The ceiling is a bit low at 1.95m.
Most of the walls are strong concrete, but there are some thin ones that will be problematic.

Sorry if my thoughts are all over the place, hopefully someone can help to steer me in the right direction. As of now, besides research a lot more, is there any data I can start gathering to help with the design of the room? If I am missing any information, let me know and I will be happy to provide it! I am looking forward to keeping this thread as detailed as possible for anyone that bumps into this!
vdegou
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Location: Madrid, Spain

Re: Drum rehearsal/recording basement studio in Madrid

Post by vdegou »

Follow-up pictures!
basement_studio_01_.jpg
basement_studio_02_.jpg
basement_studio_03_.jpg
hole_in_wall_.jpg
wine_wall_.jpg
Gregwor
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Re: Drum rehearsal/recording basement studio in Madrid

Post by Gregwor »

Hi Victor!

You said you need isolation. What that means is that you cannot have any voids in your leaves in terms of surface density. If any of your walls have too little surface density you have to beef them up by adding mass. Also, you cannot have any spots for potential leakage. That means you need to seal every crack/gap.

Issues I see with your room are is the obvious hole in the wall and all of the pipes. You will have to fill that hole and box in the pipes using a material that has the correct surface density to maintain your isolation.

What is your ceiling made of? Concrete? If it is sheet rock, I'd suggest removing the sheet rock so that your ceiling is taller (acoustically). You'd then just have to add mass to the underside of the subfloor. If it's concrete, that sucks in terms of acoustic height, but it's good for surface density!

In order to get great isolation, you will need a fully decoupled inner leaf. I'm afraid your ceiling will be extremely low after you build your inner leaf ceiling.

Lastly, you need to design an appropriate HVAC system for your room. You can kind of plan for acoustic treatment of the room, but your main priority here has to be designing the isolation and HVAC portion of your drum room. You have to be aware that low ceilings and instruments such as drums result in not great acoustics. But any room is better than no room!

Greg
It appears that you've made the mistake most people do. You started building without consulting this forum.
vdegou
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Joined: Fri May 10, 2019 5:29 pm
Location: Madrid, Spain

Re: Drum rehearsal/recording basement studio in Madrid

Post by vdegou »

Hey Greg, thanks for your quick reply!
You said you need isolation. What that means is that you cannot have any voids in your leaves in terms of surface density. If any of your walls have too little surface density you have to beef them up by adding mass. Also, you cannot have any spots for potential leakage. That means you need to seal every crack/gap.
Issues I see with your room are is the obvious hole in the wall and all of the pipes. You will have to fill that hole and box in the pipes using a material that has the correct surface density to maintain your isolation.
Correct. First I want to deal with isolation to avoid possibly disturbing my neighbors. And yeah, obviously some major issues are the hole in the wall and the water pipes. However I do not really mind the sound that can be generated from the water pipes too much (leaking sound when it is raining, for instance). Would it be sufficient to ignore the pipes and just cover that gap with insulation? I mean if I find a reliable way to box them in in order to avoid the sound that would be great, but that is another big problem on it's own. I am not exactly sure how to find that "correct surface density" for the material to box them in. Regarding the hole in the wall, that is another big issue of course, and I am still thinking of a solution to it.

Also, regarding the wall used to store the wine that is full of holes. The wall itself is sturdy, but the holes are a problem. How would this wall fit in to the MAM model, knowing that right behind it there is a very thick concrete wall that hopefully we could take advantage of? Since the wall has a lot of holes (air), could we consider it as the air portion of the MAM? Will filling the holes with insulation help at all?
What is your ceiling made of? Concrete? If it is sheet rock, I'd suggest removing the sheet rock so that your ceiling is taller (acoustically). You'd then just have to add mass to the underside of the subfloor. If it's concrete, that sucks in terms of acoustic height, but it's good for surface density!
The ceiling is concrete, no sheet rock here. So yes, good for isolation, not so good for acoustic height. Guess we will have to see how that impacts the drum sound later on...
In order to get great isolation, you will need a fully decoupled inner leaf. I'm afraid your ceiling will be extremely low after you build your inner leaf ceiling.
Since the ceiling is very thick concrete, do you think the decoupled ceiling will be a good tradeoff for insulation vs. height? I'm thinking sound won't be able to escape very well through that thick concrete ceiling, but I'm just speculating. Still need a lot of reading up.
Lastly, you need to design an appropriate HVAC system for your room. You can kind of plan for acoustic treatment of the room, but your main priority here has to be designing the isolation and HVAC portion of your drum room. You have to be aware that low ceilings and instruments such as drums result in not great acoustics. But any room is better than no room!
Of course, I think if we start off with a good foundation regarding plans for isolation and HVAC, we can experiment with acoustic treatment later.

Could you maybe give me some pointers on where to go next regarding planning the isolation? I've been thinking of reading up on Rod Gervais' home studio construction book, to get a better overall understanding of everything, but if there is another thing I should be aiming for first I would really appreciate your guidance. Should I do REW measurements now? Or should that wait until we are working on the acoustic treatment?

Any advice is greatly appreciated. Thank you, Greg!
DanDan
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Re: Drum rehearsal/recording basement studio in Madrid

Post by DanDan »

Hola. I think a viability study would be wise. Find out how much isolation is needed, and put some sort of estimated price on it.
Use a high powered speaker system, PA or DJ rig. Play Music or even an isolated drum track very loudly in the Basement. Measure the level, let's for 100-110dB Z Weighting.
Now measure the levels escaping. In your own and all your neighbours' homes. If you cannot have access, measure at likely weak spots, windows, doors, ventilation holes.
https://www.cdc.gov/niosh/topics/noise/app.html

There is a hungry elephant in the room here. The ceiling height. It is unfortunately even lower than typical the EU 2.45.
There is just not enough height to consider sound isolation AND treatment over head.
So let us find out how much sound travels up through that concrete floor.

DD
vdegou
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Re: Drum rehearsal/recording basement studio in Madrid

Post by vdegou »

Hey Dan, thanks for taking the time to look into this.

I also agree with the viability study, that would give us a good starting point. I will try to see if I can perform the test as you state and get back with results. My drums should arrive in about 2 weeks, but maybe I can find some good speakers to produce 100-110dB.
There is a hungry elephant in the room here. The ceiling height. It is unfortunately even lower than typical the EU 2.45.
There is just not enough height to consider sound isolation AND treatment over head.
Yeah... unfortunately the ceiling is quite low /: If it is really as bad as both you and Greg seem to be pointing out, we may have an alternative however.

Next to the wine cellar (which is the room with the low ceiling we are discussing), there is an adjacent room with a more normal-sized ceiling. The measurements are as follows:

Length: 3.2m
Width: 2.7m
Height: 2.4m

Ceiling height is much better here of course, but the room is smaller overall. Also, we only have one wall that is thick cement, so isolation will likely be costlier to do here.

Of course, I'm not very well versed in all of this so I don't really have a great understanding on the impact of the low ceiling on the acoustics of the room regarding the drums. Even then, I would assume the wine cellar is better suited for the drums than this adjacent room next door, because it already has some pretty thick walls built in although the acoustics might suffer in the end due to the ceiling. Maybe we can offset the damage done by the ceiling ~somewhat~ with treatment later down the road and get something decent? Suffice to say I know I won't get grade A++ recordings from the spaces I have available :P

Thanks guys!
Gregwor
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Re: Drum rehearsal/recording basement studio in Madrid

Post by Gregwor »

However I do not really mind the sound that can be generated from the water pipes too much (leaking sound when it is raining, for instance). Would it be sufficient to ignore the pipes and just cover that gap with insulation? I mean if I find a reliable way to box them in in order to avoid the sound that would be great, but that is another big problem on it's own. I am not exactly sure how to find that "correct surface density" for the material to box them in.
These pipes are weak points in your isolation. Not only will they make noises in your room, they are spots where sound will leave your room. Sure you have a lot of surface density with a concrete room, but that doesn't matter if you have large holes in those walls where thin plastic is the only material between your sound and that hole! That's why you NEED to box it in. To figure out how much surface density you need, you can use the MSM calculator on the design forum or figure it out by hand using either the mass law equation or the two leaf MSM equation.
Would it be sufficient to ignore the pipes and just cover that gap with insulation?
Insulation by itself provides next to no isolation. Insulation does several things to improve isolation when used in conjunction with high surface density sheathing. You need mass to achieve isolation.
How would this wall fit in to the MAM model, knowing that right behind it there is a very thick concrete wall that hopefully we could take advantage of? Since the wall has a lot of holes (air), could we consider it as the air portion of the MAM? Will filling the holes with insulation help at all?
The smallest gap is what matters. So I would calculate the distance from the face of the wall, not the deep cavities.
Since the ceiling is very thick concrete, do you think the decoupled ceiling will be a good tradeoff for insulation vs. height? I'm thinking sound won't be able to escape very well through that thick concrete ceiling, but I'm just speculating. Still need a lot of reading up.
Yes, you have a lot of mass since it's concrete. However, your isolation is 100% determined by mass law. If you knew the exact thickness of the concrete, you could punch the figures into the mass law equation and see how it performs.
Should I do REW measurements now? Or should that wait until we are working on the acoustic treatment?
Wait until you are ready for treatment.
There is just not enough height to consider sound isolation AND treatment over head.
Agreed.
So let us find out how much sound travels up through that concrete floor.
Also agreed. Hopefully you have enough isolation with the concrete alone. You WILL need to box in the pipes with VERY heavy material in order to maintain the isolation the concrete is providing. The same goes for the hole in the wall and any doors in the room!

Greg
It appears that you've made the mistake most people do. You started building without consulting this forum.
DanDan
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Re: Drum rehearsal/recording basement studio in Madrid

Post by DanDan »

Aaaah, Drums. The sound of a drum kit is such a peculiar thing. For a start the drummer and audient hear vastly different sounds. The tone is very very room and position in room dependent. Big is generally best, and often very little or no treatment.
But KD Lang records drums in a closet to great effect.
The low ceiling causes problems with overhead mics. Very early reflections, comb filtering etc. etc.
Also cymbals sway about which can result in odd 'phasing' effects.
If your room proves viable in terms of isolation, there are ways to deal with the microphone issues.
e.g. PZM Microphones on the wall behind the drummer or to the sides, can replace the traditional overhead placement.
A decent Cloud over the drums should stop flutter echo and those early reflections bouncing into the OH mics.
Drums love a corner, which will boost their fundamental tone. Be aware that Kick drums can sound very very different pointing in different directions.
A great drum room would have high modal density. Lots of tonal support.
DD
vdegou
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Re: Drum rehearsal/recording basement studio in Madrid

Post by vdegou »

Hey guys!

Quick update on the situation. Haven't been able to get my hand on powerful speakers to test the sound penetration in the basement, but I've got some studio monitors that I can borrow. Probably not ideal, but it's something for a first iteration and rough estimate on what we'll be dealing with. Also going to buy a hygrometer to get a feel for the humidity levels down there too.

Hoping to have some data to share soon.

PS: Also picked up Rod Gervais' Studio Construction book. Gotta get educated too if we're going to do this right!

Cheers!
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Re: Drum rehearsal/recording basement studio in Madrid

Post by Soundman2020 »

but I've got some studio monitors that I can borrow. Probably not ideal, but it's something for a first iteration
If they can put out somewhere around 115 dBC, and they have reasonably good bass extension (to about 35 Hz or so), then that should work fine.
PS: Also picked up Rod Gervais' Studio Construction book. Gotta get educated too if we're going to do this right!
Also get "Master Handbook of Acoustics" by F. Alton Everest. Very useful.

- Stuart -
vdegou
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Re: Drum rehearsal/recording basement studio in Madrid

Post by vdegou »

If they can put out somewhere around 115 dBC, and they have reasonably good bass extension (to about 35 Hz or so), then that should work fine.
Well that's bad news then ): The monitors I have are rated for a max of 97dB and down to 80Hz I believe. Guess it would still be worth to take some figures with this, but I'll definitely retake the test a week from now with the real drumkit.
Also get "Master Handbook of Acoustics" by F. Alton Everest. Very useful.
Will do, thanks for the tip!

Quick update, did a humidity test and looks like we're in the clear. 1 days worth of data shows a consistent reading of about 56% humidity. Quite surprised by that actually, thought the wine cellar would be more humid. Will keep gathering data for the sake of it. Also read that the general consensus regarding humidity and wooden instruments is that as long as there's no frequent and extreme changes, the instrument shouldn't suffer. For instance, having a consistent 70% humidity level will be better than swings from 40-60%. Don't quote me on that though, I don't have actual research to back this up, just general opinion online.
vdegou
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Re: Drum rehearsal/recording basement studio in Madrid

Post by vdegou »

Hey everyone,

I'm back with an update, and data!

So I couldn't get my hands on some decent speakers as I stated in the last post. I decided to just wait for my drums to arrive and do the test with the real thing. I did some recordings in 10 different locations of my house, including outdoors. I took baseline measurements to get a feel of the noise levels without the drumming, and then took some measurements while I was drumming. The measurements are taken with the NIOSH app recommended in this same thread, and the samples are 1 minute long.

Unfortunately, (I noticed AFTER the samples were taken), the Z-weighted frequency option only applies to instantaneous levels, so this isn't reflected in the values I have taken. I can take these values and post them here without a problem though.

The measurements that the app took are: LAeq, Max level, and LCpeak. I have ordered the different places based on their distance from the studio, from closest to farthest away. Without further ado, here are the charts.

laeq.PNG
lcpeak.PNG
max_level.PNG
In case the baseline values look a bit high in the basement: I had a 3D printer turned on at the moment, so this is obviously reflected. However, I consider that to be pretty normal environment noise, so no harm no foul I guess.

So, I come to you guys. Does the studio room stand a chance in terms of noise attenuation? Looking forward to some conversation on this!

Thanks!
DanDan
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Re: Drum rehearsal/recording basement studio in Madrid

Post by DanDan »

A small PA system might deliver the SPL of a Kit. No need for stereo, but you might need two subs to get there.
Thanks for the heads up about that SLM app. I need LZeq for a lot of my work.
SoundMeter by Faber is probably worth the money. I use it all the time, including 1/3 Octave Leq

As well as F and S there is an I time constant to deal with Impulsive sounds.
Drums are loud, and solo, can be very annoying. You could get a friend to play them and you go listen in your neighbours house.
Again, Aerodrums are brilliant IMO. Don't be fooled by their unsubstantial appearance. I would record an album with them.
DD
vdegou
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Re: Drum rehearsal/recording basement studio in Madrid

Post by vdegou »

A small PA system might deliver the SPL of a Kit. No need for stereo, but you might need two subs to get there.
No need for that anymore. Got the real kit in there now so we can take accurate measurements.
Thanks for the heads up about that SLM app. I need LZeq for a lot of my work.
I believe you're the one that recommended it to me, so thank you!
Again, Aerodrums are brilliant IMO. Don't be fooled by their unsubstantial appearance. I would record an album with them.
Although this could be a solution to producers or other music makers, it definitely is not a valid for a drummer that wants to play on a real kit :wink:

Thanks for your input Dan!

Anyways, I've just read through Gervais' book on studio construction, and think it's about time to backtrack to the chapters dealing with the walls, especially to deal with the pipes and hole issue. I have a quick preliminary question though. I see gypsum boards (drywall) recommended a lot. Is there any difference in regards to sound isolation between using drywall and a wood product for walls, say MDF or what have you, if we consider them to have the same density and price point?
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Re: Drum rehearsal/recording basement studio in Madrid

Post by Gregwor »

Is there any difference in regards to sound isolation between using drywall and a wood product for walls, say MDF or what have you, if we consider them to have the same density and price point?
In the MSM equation, there are 2 variables. Mass and Spring. The sheathing we use is the mass. Surface density is what matters here. Whether you use lead or glass or wood or drywall, it doesn't matter. Drywall is recommended all the time because it is fairly easy to work with, it's cheap, and it looks great when painted. It has downsides though. It has next to no structural integrity. Often is is recommended to use a layer of OSB behind your drywall so that you can easily mount treatment devices anywhere without having to find a wall stud. OSB is substantially more expensive than drywall where I live.

Greg
It appears that you've made the mistake most people do. You started building without consulting this forum.
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