Hello
I plan to turn a room in a control + tracking room.
Dimensions are 5m x 4.6m x 2.9m.
I am on a 1000$ budget, and with the construction materials available around the best i can do is :
Build a room in a room with one layer of thin drywall and 100mm of fiberglass on a wooden structure 5 to 10 cm from the original wall.
So i theoretically end up with a 4.6m x 4.3m x 2.75m room.
BUT
I will also angle the ceiling up from the front of the room by 12° for 3.41m and then down again by a 12° angle to the back of the room for the last 1.19m (=4.6m).
I will also angle the right and left walls the same way but 6° each.
The plan is to reduce flutter echo AND for the (thin) drywall with empty corners and fiberglass behind to act as a room wide basstrap.
The floor is carpeted and I will add thick fiberglass absorbers and wooden diffusers to fine tune the acoustics.
The original walls are 3 concrete walls and 1 drywall (behind the back-wall with the door). The room is on the ground floor so the structure would be resting on the industrial concrete foundation of the building.
After we build this, if we are not satisfied with the soundproofing (thought we don't need it to be perfect), we might in the future add one layer of drywall with green glue.
Does it sound good?
I also wanted the front wall (behind the speakers) to have a V shape pointing inwards, towards the sweet spot, with the two slopes at 6° or 12°, because there is a 15cm structural pole from the building at the center of the front wall just behind the future drywall and i dont want to lose too much space by pulling the whole front wall inwards by 15cm. By angling the two sides of the wall the pole would be inside the "V". Also, i reckon this would allow reflexions to be sent away from the listener (as there will be two 1sq.m windows incorporated in the drywall on the right and left of the front wall that could cause lots of early reflexions).
Thank youuuuu
The plans for the wooden frame (NOT PROPORTIONAL, rely on the annotated dimensions and angles) :
Help with my studio design for a Control + Tracking room!
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Re: Help with my studio design for a Control + Tracking room
HI there " Dozemusic", and welcome!
Think of it this way: you have 23m2 and want to spend 1k on that. That works out to around US$ 43 per square meter. That would only just cover the cost of your floor. I just googled the term "cost of laminate flooring", and the very first item that comes up says this: "12mm thick laminate flooring starts at around $18 per square metre and if you have it professionally laid, will cost around $42-$45m2, including underlay". So there's your entire budget gone, just on the floor.
You did not say where you are located (in your profile), so I have no way of judging what building costs might be in your country and city, but regardless of where you live, your budget is too low. Unrealistically low for a 23 square meter studio. Multiply that by ten, at least, and probably more like twenty. That would be realistic.
So tuned diffusion is off the table for your room.
You did not say how much isolation you need... If you have not figured that out yet, that should be your very next step (after ripping out the carpet, of course... ).
Also, from the way you describe it, it sounded like you were hoping that the "V" on the front wall would somehow eliminate your first reflection points, but in reality it will have not do that. And as I mentioned, it might even create new ones.
- Stuart -
Not trying to be obnoxious, but i think you are missing a "zero" from that number, at the very least.Dimensions are 5m x 4.6m x 2.9m.
I am on a 1000$ budget,
Think of it this way: you have 23m2 and want to spend 1k on that. That works out to around US$ 43 per square meter. That would only just cover the cost of your floor. I just googled the term "cost of laminate flooring", and the very first item that comes up says this: "12mm thick laminate flooring starts at around $18 per square metre and if you have it professionally laid, will cost around $42-$45m2, including underlay". So there's your entire budget gone, just on the floor.
You did not say where you are located (in your profile), so I have no way of judging what building costs might be in your country and city, but regardless of where you live, your budget is too low. Unrealistically low for a 23 square meter studio. Multiply that by ten, at least, and probably more like twenty. That would be realistic.
Thin drywall is no use for studios. You need at least 13mm drywall, preferably 16mm, and usually one layer is not enough: you will likely need two. According to this place " http://www.rempros.com/installation-pri ... ywall.html " (once again, top of the list on a google search), your finished drywall will cost you around US$ 40 per sheet. A sheet is roughly 2.8m2, so the cost here is US$ 14/m2. You need about about 47 m2 on your walls, and another 23 m2 on your ceiling, total of 70m2. x 14 = US$980. And that's for just one layer, without any insulation, doors, windows electrical, HVAC, acoustic treatment, furniture, equipment....Build a room in a room with one layer of thin drywall and 100mm of fiberglass on a wooden structure 5 to 10 cm from the original wall.
Why? What is your reason for wanting to angle your ceiling? And why would you want the height to get LOWER a the back than at the front, when the general rule in acoustics is that the room width/height should INCREASE towards the back?I will also angle the ceiling up from the front of the room by 12° for 3.41m and then down again by a 12° angle to the back of the room for the last 1.19m (=4.6m).
Why?I will also angle the right and left walls the same way but 6° each.
Flutter echo is MUCH less of a problem than most people think: it can be dealt with rather easily, with simple treatment. Splaying walls wastes space and complicates construction. There's no need for it, except in exceptional circumstances, or due to some specific design concepts where it is required. But even then, only a part of the wall needs to be angled, not the entire thing, to avoid wasting space. And the angle would not be 6°....The plan is to reduce flutter echo
Thin drywall over a cavity will not act as a bass trap: it will act as a drum. It's a resonant system, and will resonate at a specific frequency that is dictated by the surface density of the drywall and the depth of the cavity behind. If the cavity is entirely filled with insulation, then it might absorb that one specific frequency to a certain extent. On the other hand, that's an awful lot of mass vibrating! So the chance are that it will not be damped so well, and will instead create a resonant peak in the entire room, that coincides with one specific note.(thin) drywall with empty corners and fiberglass behind to act as a room wide basstrap.
I is? Then that's the very first thing you need to do: rip out the carpet and throw it away. Carpet is pretty useless acoustically, especially in a control room, where it does the exact opposite of what you need. Carpet absorbs high frequencies very, very well, it absorbs mids randomly, but less and less as frequency decreases, and it absorbs no lows at all. What a studio needs is the diametric opposite: tons of absorption in the low end, some controlled absorption in the mid range but decreasing as frequency INCREASES, and very little or nothing in the high end. So the carpet has to go. No question about that.The floor is carpeted
The room is too small for you to be able to use diffusers. For any type of tuned diffuser, you need at least 3m between the front of the device and your head, to ensure that all the lobing, phase shifts, level variations, timing changes, etc. have smoothed out enough that thy don't mess with your perception of the sound. 3m is the MINIMUM distance: you might need more than that, depending on the tuning of the devices. Your room is too small to be able to have the mix position in the correct location and still have 3m between your head and the front of the diffuser.and I will add thick fiberglass absorbers and wooden diffusers to fine tune the acoustics
So tuned diffusion is off the table for your room.
Excellent! That's a really good start.The room is on the ground floor so the structure would be resting on the industrial concrete foundation of the building.
So you would be willing to tear your entire studio apart "if you don't like the isolation", then re-build it? Would it not be better to design it correctly from the start so that you KNOW it will give you enough isolation?After we build this, if we are not satisfied with the soundproofing (thought we don't need it to be perfect), we might in the future add one layer of drywall with green glue.
You did not say how much isolation you need... If you have not figured that out yet, that should be your very next step (after ripping out the carpet, of course... ).
See above...Does it sound good?
That's a possibility, yes, but you'd need to check very carefully (through ray-tracing) that the "V" would not be causing reflections that arrive at your head... It's a real possibility. Once you start ray-tracing, you'll see why I say that. I'm also pretty certain that neither 6° nor 12° would accomplish what you are hoping...I also wanted the front wall (behind the speakers) to have a V shape pointing inwards, towards the sweet spot, with the two slopes at 6° or 12°, because there is a 15cm structural pole from the building at the center of the front wall just behind the future drywall and i dont want to lose too much space by pulling the whole front wall inwards by 15cm. By angling the two sides of the wall the pole would be inside the "V". Also, i reckon this would allow reflexions to be sent away from the listener
Then don't put them there! It's that simple. If the windows would end up at your first reflection points, then you would not be able to treat that. So the solution is clear: do not put windows at the first reflection points! If you have no choice, and really MUST have windows in exactly those spots, then you will have to angle the glass sideways a bit to deal with the reflections. Once again, only ray-tracing will allow you to get the correct angle.as there will be two 1sq.m windows incorporated in the drywall on the right and left of the front wall that could cause lots of early reflexions).
Also, from the way you describe it, it sounded like you were hoping that the "V" on the front wall would somehow eliminate your first reflection points, but in reality it will have not do that. And as I mentioned, it might even create new ones.
It would be MUCH better to do your modeling in SketchUp, instead of on paper. It will automatically be to scale, and you'll be able to see exactly what is going on. That should be your third step (after ripping out the carpet, and measuring how much isolation you need.... )The plans for the wooden frame (NOT PROPORTIONAL, rely on the annotated dimensions and angles) :
- Stuart -
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Re: Help with my studio design for a Control + Tracking room
Hey Thank you very much for the extensive answer! Thank to your feedback and others, we decided not to angle any wall, and to carefully plan the treatment after we built the rectangular box.
Actually we budgeted all the drywall (13mm), fiberglass (100mm), door, windows (we already have them), wood for the wooden frame, joints, screws, nails, paint, wires.... For 1000$. We have special builder's deals and we are in France.Think of it this way: you have 23m2 and want to spend 1k on that. That works out to around US$ 43 per square meter. That would only just cover the cost of your floor. I just googled the term "cost of laminate flooring", and the very first item that comes up says this: "12mm thick laminate flooring starts at around $18 per square metre and if you have it professionally laid, will cost around $42-$45m2, including underlay". So there's your entire budget gone, just on the floor.
To reduce flutter echo and divert early reflexions from the sweet spot. (It IS angled to get LOWER at the front). But we actually gave up on that and we might treat those issues with treatment and new budget.Why? What is your reason for wanting to angle your ceiling? And why would you want the height to get LOWER a the back than at the front, when the general rule in acoustics is that the room width/height should INCREASE towards the back?
But isn't drywall + fiberglass on a wooden frame how studs are made to soundproof almost every studio? Mass - Spring - Mass system? Maybe it won't act as a very low basstrap but it shouldn't act as a drum either no?Thin drywall over a cavity will not act as a bass trap: it will act as a drum. It's a resonant system, and will resonate at a specific frequency that is dictated by the surface density of the drywall and the depth of the cavity behind. If the cavity is entirely filled with insulation, then it might absorb that one specific frequency to a certain extent. On the other hand, that's an awful lot of mass vibrating! So the chance are that it will not be damped so well, and will instead create a resonant peak in the entire room, that coincides with one specific note.
Will do.I is? Then that's the very first thing you need to do: rip out the carpet and throw it away.
You might be talking about tuned resonators? Diffusers aren't tuned, are they? But they do need to be at least 3m from the sweet spot. They can cause my room is 4.8m long.The room is too small for you to be able to use diffusers. For any type of tuned diffuser, you need at least 3m between the front of the device and your head, to ensure that all the lobing, phase shifts, level variations, timing changes, etc. have smoothed out enough that thy don't mess with your perception of the sound. 3m is the MINIMUM distance: you might need more than that, depending on the tuning of the devices. Your room is too small to be able to have the mix position in the correct location and still have 3m between your head and the front of the diffuser..
No no. The plan is to build the first layer of 13mm drywall with fiberglass behind, and then test the soundproofing before painting the drywall (if we can hear kids screaming in the nearby school, and if the noise coming from the studios to the other facilities in the building is too loud). If it's not enough, but it should be because it is almost good with the existent concrete walls, we might add a layer of drywall with green glue, which will cost 400$ (with only half the green glue recommended by green glue, so 70% of the soundproofing). In this way we don't need to tear anything down.So you would be willing to tear your entire studio apart "if you don't like the isolation", then re-build it? Would it not be better to design it correctly from the start so that you KNOW it will give you enough isolation?
You did not say how much isolation you need... If you have not figured that out yet, that should be your very next step (after ripping out the carpet, of course... ).
Ok thanks I will look into that!!That's a possibility, yes, but you'd need to check very carefully (through ray-tracing) that the "V" would not be causing reflections that arrive at your head... It's a real possibility. Once you start ray-tracing, you'll see why I say that. I'm also pretty certain that neither 6° nor 12° would accomplish what you are hoping...
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Re: Help with my studio design for a Control + Tracking room
But we actually gave up on that and we might treat those issues with treatment and new budget.
Yes, that is how MSM walls are made, but yes it will act like a drum, and that's exactly what it is supposed to do! It sounds counter-intuitive, but that's exactly how isolation works. The wall is a tuned system: it will resonate at the frequency that it is tuned to, but it won't resonate at other frequencies. At the tuned frequency, it does indeed act like a drum. And that frequency will pass right through the wall, possibly even amplified, as well as all frequencies within about half an octave on each side. Therefore, the wall needs to be tuned so that the resonant frequency is at least one octave below the lowest frequency that you need to isolate. If you achieve that, then the wall will isolate all the frequencies in the audio spectrum. But the wall is not a bass trap: it blocks bass frequencies, as those bass frequencies are high up than it's own resonant frequency.But isn't drywall + fiberglass on a wooden frame how studs are made to soundproof almost every studio? Mass - Spring - Mass system? Maybe it won't act as a very low basstrap but it shouldn't act as a drum either no?
However, if you build the wall with light weight materials and a thin air gap, it will be tuned to the frequency range of the low bass part of the audio spectrum, so it will act like a drum for those frequencies, and will amplify them, and pass them through to the other side...
Yes they are. Almost all diffusers are tuned. They cover a range of frequencies between the "low cutoff" and "high cutoff" points. Schroeder, skyline, QRD, PRD, BAD, even poly-cylindricals are all tuned.You might be talking about tuned resonators? Diffusers aren't tuned, are they?
Nope! You need 3m between the front surface of the diffuser, which will not be many cm in front of the rear wall, and your ears, which will be at the mix position that is located around 1.7 to 2m away from the front wall. The smallest studio where you can use rear wall diffusers comfortably and effectively, is about 6m long. You can still do it with slightly smaller rooms, down to maybe 5.2m at a pinch, but 4.8 is too short.But they do need to be at least 3m from the sweet spot. They can cause my room is 4.8m long.
Maybe it would be better to just calculate in advance? Predict the isolation using the correct equations? To me, that seems to be a better wya of doing things than just guessing, then seeing if the guess worked out or not...The plan is to build the first layer of 13mm drywall with fiberglass behind, and then test the soundproofing before painting the drywall (if we can hear kids screaming in the nearby school, and if the noise coming from the studios to the other facilities in the building is too loud)
Your current concrete wall is a single-leaf barrier, and it is governed by a principle of physics known as "mass law". Your new wall will be an MSM system that is governed by an entirely different set of laws. One of the consequences is that there will be a large dip in isolation at the resonant frequency of your new wall: It will isolate WORSE than it does now at that frequency. Which is why you need to tune your wall correctly, to make sure that the dip is located outside of the range of frequencies that you need to isolate.If it's not enough, but it should be because it is almost good with the existent concrete walls,
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Re: Help with my studio design for a Control + Tracking room
Ahhh ok thanks!! This is very good advice.
I'll see if i find ressources for calculating that resonant frequency! Maybe something simpler than the Wyle WR 73-5 report.
EDIT : This was great --> http://www.johnlsayers.com/phpBB2/viewt ... 870#p48870
Now as I have 3 different types of walls around my room... (1 concrete + windows, 3 thin bricks, 1 double drywall with two big single-glass-layer windows...).
Without the fiberglass and only with 13mm of drywall and a 150mm air gap, the drywall in front of the concrete or brick walls it should resonate at around 52hz and in front of the drywall, 62Hz. That means that it will start isolating at 70Hz and 85Hz respectively, which is not good.
But that is without fiberglass. I think I will put 100mm of fiberglass + 100mm air gap.
Maybe other things can damp it? Maybe firmly screwing the frame to the concrete floor (or is it better to put it on neoprene)? Maybe I can increase the air gap to 100mm of fiberglass + 200mm air gap on the drywall - gap - double drywall side?
I'll see if i find ressources for calculating that resonant frequency! Maybe something simpler than the Wyle WR 73-5 report.
EDIT : This was great --> http://www.johnlsayers.com/phpBB2/viewt ... 870#p48870
Now as I have 3 different types of walls around my room... (1 concrete + windows, 3 thin bricks, 1 double drywall with two big single-glass-layer windows...).
Without the fiberglass and only with 13mm of drywall and a 150mm air gap, the drywall in front of the concrete or brick walls it should resonate at around 52hz and in front of the drywall, 62Hz. That means that it will start isolating at 70Hz and 85Hz respectively, which is not good.
But that is without fiberglass. I think I will put 100mm of fiberglass + 100mm air gap.
Maybe other things can damp it? Maybe firmly screwing the frame to the concrete floor (or is it better to put it on neoprene)? Maybe I can increase the air gap to 100mm of fiberglass + 200mm air gap on the drywall - gap - double drywall side?